Category Archives: For The Love Of Books

Reader in Residence

If I had a nickel for every time I’ve asked myself, “Goodness, Bryan, couldn’t you just live in a bookstore,” I’d finally be able to afford that immersion therapy to get over my fear of nickels.

Well, I am pleased to announce that this is no longer a hypothetical musing. What started as a surprise weekend trip to Portland, Oregon has turned into (surprise!) a bid to establish residency inside Powell’s, the legendary independent bookstore. There it is, right down there.

All photos by Carolyn Kraft

And there I am, just prior to never leaving the store again.

Who needs the outdoors?

Now, don’t worry about me, I’ve got all my basic needs covered.

I take my breakfast in the Blue Room
And my lunch in the cafe
Snack time in the Rose Room!
Dinner at the window in the Gold Room

And for the times I start to lose faith in my mission, a little inspiration….

Oh, I hadn’t thought of it that way…

And just an FYI, I always brush between meals.

I think someone else tried establishing residency here–whatever happened to that guy?


Okay, well, wish me luck! According to Oregon law I only have 364 more days before I’m declared a legal resident of the store. I also could be making that up completely.

No joke, though, I am bushed after all that eating! Guess I’ll bed down right here in the Pearl Room. Good night for now.

Who hasn’t dreamed of sleeping under an SQL guidebook?

Ed. Note: Feel free to send cards, pleas for reason, and bail money to Powell’s City of Books, Attn: Guy Doing His Best To Keep Portland Weird, Blue Room, 1005 W. Burnside St., Portland, OR 97209.  

What I Heard At The LA Times Festival Of Books!

Photo by Carolyn Kraft

It is a blessing the doctors were able to replace my ears in time for this year’s Los Angeles Times Festival of Books. I’ll never fall asleep in a lawn care store again, let me tell you.

Anywho, this past weekend the LATFOB was held once again at the glamorous USC campus and was a treasure trove for authors and readers alike. I checked it out on both Saturday and Sunday, and the gauze was just breathable enough to let in many an insight and observation, as well as several nuggets of wisdom. Here is a smattering of what I heard:

“Authors are the brand, not the publishers.”

“The intimacy between book and reader is part of every aspect of the industry.”

“An editor’s job is to connect the writer and the reader. Editors are sometimes guilty of not thinking about that.”

“Staying respectful is very hard to do on the internet.”

“Before Amazon, it was Barnes & Noble and Borders as the behemoths [accused of] crushing the industry, and now it’s like ‘please Barnes & Noble, please stick around!’ ”

“Someone told me that you’re only allowed one dream sequence in your career, and I’ve just blown my load in this new book.”

“I don’t remember my dreams, but for some reason people always tell me theirs…so I steal them.”

“Anyone who looks at the world, if you’re not writing horror stories, what are you doing?”

“I push back against the label ‘literary’ horror. It sounds like, ‘we like you but not your friend.’ ”

[Regarding writing] “There is no way you can escape the work.”

“Elevators are the physical manifestation of a traumatized mind.”

Photo by Carolyn Kraft

“Every story should start a chapter late and end a chapter early.”

“A fellow writer once described my book as this beautiful bonbon that when you bite into it oozes puss and maggots.”

[Regarding technology] “We tend to believe that we can make it, but not always should we make it.”

“Young people don’t have the opportunity to be bored anymore.”

“I believe there is a creative energy that connects our hearts to each other.”

“I have a blood splatter library.”

“As a Nigerian-American, you have four career options: Doctor, lawyer, engineer, disgrace to the family.”

“It is the insecurity of our parents that stifles our children.”

“Listening keeps my writing fresh.”

“You find out at 15 that you don’t have much control over what happens to you. But you do have control over how you react to it.”

“Excellence is a habit.”

 

WHO SAID THIS STUFF: Carolyn Kellogg; Betty Amster; Peter Ginna; Glory Edim; Ginna; Carmen Maria Machado; Victor LaValle; Ben Loory; LaValle; Jason Reynolds; Reynolds; Reynolds; Dhonielle Clayton; Marie Lu; Reynolds; Laurie Halse Anderson; Emily Carroll; Tochi Onyebuchi; Reynolds; Renee Watson; Anderson; Reynolds

 

What Are You Reading This Summer?

Photo by Caterina

Hey, it’s been over a year since I last put up a What Are You Reading? post, and because the summer is when many of us catch up on our book piles, it’s time to check in on your literary to-do list.

Me, I’ll be honest, Summertime is when I go diving into the dumpsters of literature for stuff that, even when you dust off the rat corpses fused to it, makes your conscience ache like it’s got a parasite………..at least not until September.

Go ahead, judge me, I’m not ashamed. Just yesterday I was at the local coffee shop flaunting my trash for all the world to see. There I was, sipping an iced tea and cracking the spine on Esoteric Approaches To Hybrid Bioreactor Landfilling

Okay, okay, fine, you caught me in a lie. That’s not the title. It’s Erotic Approaches to Hybrid Bioreactor Landfilling. And oh did people ogle.

But lest you think I’m all style and no substance, I finished some outstanding novels recently: The Door, by Magda Szabo, The House With A Clock In Its Walls, by John Bellairs, Trouble Is A Friend of Mine, by Stephanie Tromly. And, currently, whenever I tire of Erotic Approaches, I pick up where I left off on Hillbilly Elegy, by J.D. Vance.

So, what about you? What are you reading this summer?

Some Favorite Poems From Childhood

Photo by Lienhard Shulz

I was doing some Spring-cleaning the other day, and while rummaging around in a storage bin I came across a book I suddenly realized has been with me since I was about five years old. Though the cover is creased and faded, and its pages nearly as yellow as a smoker’s teeth, Pennies For The Wishing Well, by Cleaver Deeks, is still an absolute delight.

Reading the poems again and reveling in their celebration of the innocence and sense of discovery that is childhood, I remembered how they helped spur what’s become a lifelong love of the written word. I couldn’t wait to share it with you.

Copied below are three of my favorites. Hope you enjoy them, and please let me know some of your favorite poems from when you were young.

            Little Billy’s Loose Tooth

             Little Billy had a tooth his tongue could wiggle, wiggle.

             Little Billy wasn’t scared, in fact, he giggled, giggled

             Then one day the tooth popped out

             And Little Billy made such a shout!

             As the alien gas, no longer trapped,

             Fried everybody’s brains into squiggle, squiggles.

           

            Goose Under The Bridge

             There’s a goose under the bridge!

             Yes, a goose lives under the bridge!

             Give her the crumbs and the crust of your bread

             Or give her the pellets from the dispenser instead

             What fun it is to feed the goose

             and the goslings that do flock her

             And ponder the psych0-sexual vibes you’ve been getting from your doctor.

             

            Cannibal Circus

             The cannibal circus is coming to town!

             We know Mommy and Daddy won’t let us down

             Last year was Grandma who survived her chagrin

             That it costs an arm and a leg to get in.

LA Times Festival of Books!

Photo by Carolyn Kraft

If it’s the end of April it can only mean a few things. One, that my wooden leg will start to yearn for the boreal forests of Norway and I will spend hours on the phone negotiating the fake limb rate with Virgin Atlantic, and two, the Los Angeles Times Festival of Books. Held this past weekend on the luxurious USC campus, the LATFOB was once again a shining mecca for writers and readers, and, this year, the grounds for a clever-creepy marketing campaign for Hulu’s adaptation of The Handmaid’s Tale, by Margaret Atwood.

I was in attendance on both Saturday and Sunday, and heard many an inspiring word. Here are some of those words:

“Writing is like breathing to me; if I don’t write, I’ll die.”

“A really good novel is like a burlesque show.”

[Regarding “unlikable” characters in YA fiction] “I remember when I was a teenager, my thoughts were pretty evil; I just didn’t say everything.”

[Regarding a writer’s process] “Instead of ‘pantser’ or ‘plotter,’ I like to think of it as are you a gardener or are you an architect?”

“The daily mind is lazy relative to the reader mind.”

“Language can be twisted to tolerate lies.”

“My experiences as a teenager were kind of dull, but my emotions were epic.”

“Chipotle asked me, do you have something that we can put on a bag for a shit-ton of money?”

“When it comes to my characters, I am a horrible person.”

Photo by Carolyn Kraft

“The highest truth is a series of contradictions.”

“That first email to Erwin, that was confrontational.”  “No, it wasn’t.”  “Yes, it was.”  “No.”  “Yes, it was like ‘I’m here, looking for a fight.'”  “No way.” “Do you want me to read it back to you?”

“You don’t write for ‘children’ you write for one child, or for the child you used to be.”

“When you’re writing a story and you get stuck, embrace it. It’s just the story telling you, ‘You’re not listening to me.’ ”

“People spend more money on yoga than on books.”  “Maybe we could change that if we can convince people to read in hot rooms.”

“I used to have this condition when I was younger called Hemingway boner.”

“I don’t know if I’m gifted, but I do know how to work hard. I have discipline.”

“We’re able to entertain several different versions of the truth simultaneously.”

“I will defend trashy YA to my death.”

“First drafts are like I’m just shoveling sand into a sandbox; later on, I’ll build sand castles.”

WHO SAID THIS STUFF (in order): Benjamin Alire SaenzAaron HartzlerMaggie Thrash; Ellen Hopkins; George Saunders; Saunders; Julie Berry; Saunders; Frances Hardinge; Saunders; strangers overheard before the start of a panel discussion; Melissa de la Cruz; Saunders; Lisa Lucas and Oscar Villalon; Saunders; Saenz; Saunders; Thrash; Shannon Hale

LA Times Festival of Books!

Photo by Carolyn Kraft

Photo by Carolyn Kraft

It’s April again and that can mean a lot of different things to a lot of different people. My apologies to anyone looking for a post on whether or not creamed honey will finally be classified as an alternative fuel. (You’ll have to wait for my review later this year of the new Nissan Mecha-Grizzly.)

This post is about the 21st Annual LA Times Festival of Books, held last weekend on the beautiful brick and stone USC campus. Saturday was rainy and Sunday was sunny and both days were very well-attended. Here are some of the intriguing things the authors I saw had to say:

“Magical realism reminds us as human beings that there is hope and beauty out there.”

“If you believe along with the narrator that the [fantastical] things happening are true, it’s not magical realism. If you don’t, then it is.”

“Writers are often reacting to things that frustrate them about their other writing.”

“YA [literature] is so wide open. You can go anywhere you want. There’s no box you have to fit into.”

“When people have complimented me on my writing, they said it’s mysterious and cryptic and things are not explained. When people have criticized my writing, they said it’s mysterious and cryptic and things are not explained.”

“What’s cool about art is the exceptions.”

“I don’t really care what genre means. The work can take care of itself.”

“When you begin a novel you feel like a bit of a fraud. The more you do it the more faith you have in the viability of the world you’re creating.”

“I think about readers after the fact. It’s not what drives me to do the work. I don’t think it’s healthy to think about it.”

“Fiction, art, always has to be life plus.

“Donald Trump is able to go for the jugular. It’s like he stole Jeb Bush’s lunch money, threw his shoes up on top of the school, and Jeb couldn’t handle it.”

“Disney told me, ‘We want a thriller, but nothing bad can happen.’ ”

“What’s special about this story? If I can’t find it, I don’t write it.”

“There’s no ‘Red Weddings’ in Middle Grade.”

“My narrator is the crotchety old man who lives inside of me.”

Photo by Carolyn Kraft

Photo by Carolyn Kraft

“Very rarely will someone buy your intentions. Finish the book.”

“The anxiety of not knowing where I’m going in a story is what drives me.”

“I wrote this [middle grade] book as a YA novel, but it’s not. My editor pointed this out to me.”

“Wonder isn’t about finding answers; it’s about being comfortable with the questions.”

“There are as many ways to be dead as there are to be alive.”

“Teenagers: Maximum personal responsibility with absolutely no personal power.”

“Some 17-year-olds are 13 in their heads and some 17-year-olds are 25 in their heads. And they have to hang out together.”

“The only thing worse than writing is not writing.”

“Every first draft I go through this question: ‘I don’t know how to do this.’ ”

“If you’re a young person and you have the choice between writing and having an experience, have the experience.”

WHO SAID THIS STUFF (in order): Sean McGintyShaun David Hutchinson, Peter Rock, McGinty, Rock, McGinty, Patrick DeWitt, Karl Taro Greenfeld, DeWitt, Greenfeld, Dee Dee MyersRidley Pearson, Soman Chainani, M.A. Larson, Tahereh Mafi, Larson, Chainani, Mafi, Leigh Ann Henion, Claire Bidwell Smith, Jeff Garvin, Jesse Andrews, Garvin, Don Calame, Aaron Hartzler

What Are You Reading?

Photo by Petar Milosevic

Photo by Petar Milosevic

Spring is here again, and there’s no better way to celebrate than by digging out that old bunny costume from underneath your bed and walking the streets in it smoking a carrot and handing out to random passersby plastic eggs with cryptic messages inside like “Why does Dolly always get to lick the spines on brackish mackerel night?”

Hmmm…not sure where that…

Hey, what’s the SECOND best way to celebrate Spring?

By reading a good book outdoors, of course.

Here’s what I’ve been reading recently under the emergent sun: the stunning allegorical YA novel Challenger Deep, by Neal Shusterman, about a teen’s battle with mental illness; Purity by Jonathan Franzen, about a millennial’s search for herself and her parents’ true identities in a hyper-connected world; and Nothing to Envy, by Barbara Demick, about successful defectors from North Korea who survived its brutal famine of the mid to late 1990’s.

So that’s me, what have YOU been reading these days?

What Are You Reading?

Photo by Serge Melki

Photo by Serge Melki

As July slowly but surely starts to brown around the edges, it’s time to catch up with you, my fellow book lovers, and find out what’s been on your reading tables 0f late. As we all know, the most highly anticipated and controversial book this summer is Fudgin’s Doesn’t Not Play Nice, by P.I.X. Gwantonomous. But there’s been so much press and social chatter about it already, I won’t drag us down that rabbit hole.

But how about the second most highly anticipated and controversial book released this summer? Harper Lee’s Go Set A Watchman. Have you read it? Are you going to? I’ve read a few reviews and despite the lukewarm response it still piques my interest. But I’m a little queasy about buying a book that it’s dementia-addled author may have been coerced into publishing. Do I want to finance her exploitation? Am I being too precious about this? You tell me.

Anyway, in the past month I’ve read Ready Player One, by Ernest Cline, and The World According to Garp, by John Irving. Both books are great reads and rather topical; Ready Player One because 1980’s pop culture will never, ever, ever die, and Garp because it includes a zany but honest and humane exploration of a transgender celebrity.

At the moment and in anticipation of my attending the annual SCBWI Summer Conference, I’ve currently got my nose in The Diviners, by Libba Bray. To my knowledge, Ms. Bray isn’t scheduled to be at the conference, but her agent Barry Goldblatt is and I’d really like to talk with him. On the horizon there’s some intriguing nonfiction for me to get to, like Raising Hell: Ken Russell and the Unmaking of The Devils, and H Is For Hawk, by Helen Macdonald.

So that’s my book business, what are you reading these days?

LA Times Festival of Books! Day Two

Photo by Carolyn Kraft

Photo by Carolyn Kraft

Back again and better late than never with another field report from the LA Times Festival of Books. The magnanimity continued on the second and final day of LATFOB’s 20th anniversary. Well done, folks!

Here’s a few pearls of conversation from the author panels I attended:

“Families are like their own civilizations.”

“A lot of the times I’m writing I feel like an actor; I have to feel the emotions.”

“I had kids smoking, getting drunk, and my editor’s worried about the scene where they aren’t wearing their seatbelts.”

“A writer’s only responsibility is to tell the truth.”

“If I want to know how great I am I call my mother; if I want to know the truth, I call my brother.”

“I’m always taken aback when people [who know I’m a YA author] ask me when I’m going to write a ‘real’ book.”

“People have suggested that hackers and artists are exactly alike.”

“Quality relationships allow for the right amount of solitude and the right amount of connection.”

“The digital revolution has undercut our need for expertise and professionalism.”

“I’m on board with the digital revolution being frightening, but I’m not so nostalgic about what we’re leaving behind.”

“All these media outlets want to ‘pay’ for your writing by promising exposure; exposure is just a way people die out in the cold.”

“Technology is whatever has been invented since you were born.”

“Why can’t we have a platform that actually benefits the people who use it?”

“Every time I hear how I am as a writer I want to rebel against it.”

“Most of what happens to human beings is funny; humor in stories is integral, it’s not a condiment.”

WHO SAID THIS STUFF: Jandy Nelson, David Arnold, Carrie Arcos, Arnold, Robin Benway, Nelson, Vikram Chandra, Joshua Wolf Shenk, Scott Timberg, Chandra, Jacob Silverman, Chandra, Silverman, Amelia Gray, Jonathan Lethem

 

LA Times Festival of Books! Day One

Photo by Carolyn Kraft

One week after a great day at YALLWEST, I was off to the annual LA Times Festival of Books! It was like jumping out of the frying pan and into the fire for those of us who love being burned alive. By books. By writing. By mangling a shopworn adage into a tough leathery bit on which to chomp so as to contain our excitement and not draw the attention of USC Campus Security.

Anyway…

Congrats to LATFOB for celebrating 20 amazing years! Once again it was a privilege to attend, and as always the panel discussions I sat in on were nothing short of compelling and provocative. Did you go? What was the highlight for you?

Here’s a taste of what I heard on Day One:

“I thought I’d like to start a story with someone getting decapitated on a roller coaster, which I did. It’s on page 3.”

“I feel like it’s possible to fall deeply in love while also grieving a great loss.”

“What we remember about the books we love are the characters.”

“I’m an evangelist for fiction.”

“A big part of my writing process is forgiving myself.”

“Write what obsesses you.”

“To be a successful writer you have to be extremely disciplined.”

“Every book is a different labyrinth that somehow I have to get to the center of.”

“How do you learn to write a novel? You read a lot of them and then you write one.”

“I write so much because I’m hyperactive. I have the metabolism of a weasel. I have to eat my body weight every day.”

“There are probably 300 writers in America who make a full-time living from writing.”

“You owe it to yourself to be a big supporter of independent bookstores.”

“We have to practice and behave in the literary world we want to live in. We have to be good literary citizens.”

“I think we’ll look back on this time as a golden age of fiction.”

“I have a weird memory; I remember all of my parents’ license plates.”

“It’s more fun to draw something horrible and ugly.”

New Yorker cartoons are like a magazine within the magazine.”

“People told me that when I went through the process of selling my parents’ house all the questions I had about who they were would be answered. But there was nothing; it was like they were spies.”

“The mistakes and the problems can become the greatest thing in the book.”

“You just have to draw a lot and then eventually you die.”

WHO SAID THIS STUFF: Robyn Schneider, Emery Lord, Meg Wolitzer, T.C. Boyle, Lord, Wolitzer, Sarah Dessen, Lord, Boyle, Boyle, Stephen Morrison, Sandra Dijkstra, Dan Smetanka, Morrison, Roz Chast, Mimi Pond, Bruce Eric Kaplan, Kaplan, Chast