Shadowing The Shaded

Photo by Ordale

Now that my novel The Chronicles of What Happened, by Cam Hanson is in the submission stage (10 agent queries have been sent as of this writing, 1 request for the full manuscript thus far) I turn my attention back to the project I started last summer. It’s a new novel called The Shaded, the first volume in a supernatural horror trilogy for the young adult crowd. There’s an excerpt from an early draft on my website, located here.

However, after reaquainting myself with the story I’ve decided to take it into a slightly different direction, although the basic premise remains the same: A teenager discovers he is a demon-human hybrid, and the battle within himself and against a sinister occultist organization over how to use his newfound powers is just the beginning of an adventure where a young man’s ability to inspire a demonic force for good may be humankind’s only hope for survival.

In the early draft, the main character is stricken with a compulsion to draw/paint/create a series of particularly detailed grotesque images. He will not stop to eat or sleep, and his desperate parents ultimately decide to have him institutionalized. In that version the story opened with the main character already having undergone months of treatment, to no avail. I decided that it was better if the reader and the main character experience this compulsion together. So the idea of the compulsive creating still exists and the images themselves play a crucial role in the story, but now the main character is kidnapped by the aforementioned occultist organization before any medical doctors have the opportunity to try and treat what turns out to not be a disease or disorder, but a spiritual awakening of sorts.

The story is still being mapped out, and really my first order of business is to get a better handle on who my main character is. He’s my first-person narrator and I need to know how he thinks, how he talks, his behavior, etc. Once I find his “voice” I can move forward with more confidence.

I’m excited about the possibilities here, and this project hearkens back to some of the books I enjoyed as a younger reader, especially the supernatural tales of John Bellairs, the Three Investigators series, and Sport by Louise Fitzhugh. I’ve been reading some current YA titles, such as Feed by M.T. Anderson, Miss Peregrine’s School for Peculiar Children by Ransom Riggs, and Dan Wells’ I Am Not A Serial Killer (although this last title is often kept in the adult fiction section).

Do you read YA novels? Let me know what’s on your shelf or stored in your e-reader. And I’m always on the lookout for other YA horror titles so if you’re reading one or can suggest one, I’d love to hear about those too.

 

Banned Books Week

Photo by Patrick Correia

In honor of Banned Books week I invite everyone to join me in picking up one of these wicked creatures, you know, what we call literature and others call kindling, and read a few pages, a chapter, take some time to exercise the freedom to destroy your mind with subversive ideas and salty language.

Warning: If you’re at home, make sure all the doors are locked and the shades are drawn. You don’t want the neighbors talking. If you’re going to do this in public you might consider wearing a disguise. Sunglasses, wig, mustache; yeah, even for the ladies.

Okay, once the necessary precautions have been taken, pick your poison off the list: Slaughterhouse-Five, Catcher in the Rye, And Tango Makes Three. And commence the reading (mind destruction). Doesn’t it feel great to ingest each sentence knowing we’re contributing to the downfall of society? To feel the burn of the coming apocalypse as we turn the pages of Brave New World, To Kill A Mockingbird, The Hunger Games?

Yes, the immediate instinct afterwards will probably be to take a shower and scrub off the immoral stain the First Amendment has left behind in our minds and perhaps on our bodies.

But really, what we should do is go to the nearest library and hug a librarian.

Build A Story With Bryan #3 – Complete

Photo by Oosoom

At long last we have a complete story for Round # 3! Thank you to everyone who contributed and/or read along as this developed. You may now enjoy the story in its entirety, and if you have a suggestion for a title, please leave one with your comments.

I knew what Jenkins did for a living, or I knew enough anyway to make me wish I knew nothing, yet when he called sounding so desperate for help it felt good to be needed again, a feeling gone cold since Mother had died, and so, ironically perhaps, against the better judgment she’d instilled in me, I agreed to cover for him for the day.

I was a fool, and soon to be a bitter one. I had no idea what putting on that costume really meant, nor could I have expected the world it would drag me into. I had worn another’s costume before; at Mother’s insistence, the theatrical garb she kept in the steamer trunk under her bed was to be aired out every other week, and seeing it hang lifelessly from the clothesline made me sad. I took a turn in it all, and trod the boards of the attic stage, one day a lady buccaneer hunting for treasure in breeches and blouse, a rubber dagger clenched between my teeth, the next a gypsy spinning spells in a long bright skirt and silk scarves, both arms loaded down with rhinstone bangle bracelets.

But never had I been inside a costume as all-consuming as Jenkins’ was, a costume that required its own breathing apparatus. 

I wasn’t surprised that I could hear my own breath, but I was startled by the unexpected sound of my own heartbeat, pulsing through the thick costume’s layers as if the material acted like an amplifier. It was because of that amplificatication that I didn’t hear them coming. I think there were three of them, but I can’t be entirely sure because my view of the world around me was partially obstructed by the costume’s feathers which surrounded the eye-holes.

“Tell us where the orb is, Jenkins!” I heard one of the women say. I was too distracted by her tiny size to notice a blade cutting through the thick rubber tubing that supplied oxygen to my mask, but the urge to giggle was soon replaced by terror, as I recalled a warning my brother had given me ten years ago. As I started to lose consciousness his voice echoed through my head:

“If you’re gonna fall, fall sideways. And watch out for tiny women with knives.”

When I regained consciousness I was in a room, which was dimly lit by the aquarium that covered one entire wall. I didn’t know what was in it, but I sensed danger immediately as I struggled to remember how I’d come to be in the room in the first place.

“No, no!” I screamed inside, but not aloud, for who could have heard me anyway, since my awareness of the dim light from the aquarium was, in fact, an awareness of being IN the aquarium…I was nothing more than miniature, man-in-an-antique-diving-apparatus toy decoration in the aquarium of a full-sized human I did not know, and coming to realization that my only way out was to find an ally in this strange, self-contained undersea world.

I’d recently seen a video of a beluga whale listening raptly to mariachis, and could only hope that a similarly sentient creature would prove to be a finny friend.

I slowly surveyed my surroundings, and noticed a possible ally to my left at the far end of the tank. My next task was to figure out how to maneuver myself that far without attracting the attention of the full-sized people outside. This was no easy feat as my statue-feet were both fixed firmly to a round disc with a suction cup which was attached to a smooth pink stone.

I tilted slightly to my left, hoping to lift the edge of the suction cup and release its grip – would it work?

Success. I toppled forward, angled into the gravel and with great effort retained my balance. I exhaled. Only then did I realize my breathing apparatus had been mended with thick waterproof tape. A great gout of bubbles spoke for me. I threw one leg forward, then the other, and soon I was Neil Armstronging across the great basin of brightly colored pebbles, kicking up aquatic dust and making for the glass.

But passing the wrecked boat and a towering flower of kelp, light flooded my world. Light from the room door opening. Light from the hall. I froze.

JENKINS!!

I recognized his hourglass cranium, his stooped walk. If I got my hands around his throat things would be different. I focused on that. And then…

I saw.

Into the light, his massive hands approached, holding a giant plastic shark.

“Of course,” I mused bitterly, feeling betrayed, “I’m just a pawn in Jenkins’s sordid little game of ‘Bite Me.’”

Jenkins drank a glass of water and then approached the aquarium and climbed a ladder to access the hatch at the top. I was surprised to notice that he was rapidly shrinking as he climbed. By the time he reached the top he was small enough to fit inside the mouth of the shark.

And foolishly, that was the last of Jenkins. I laughed through my face port as his arm sank slowly to the bottom of the tank, middle finger extended in true Jenkins style. I watched the shark drift onto the wrecked boat and just lay there, no doubt satiated by the corpulent mortician. I maneuvered quite clumsily to the sand castle. It was a long shamble and forced me to pause, heaving up at the castle tower that rose to within an inch of the box filter. My bubbles fled me every other breath like an evaporating flocfk of birds.

Out the corner of my eye, a flash of light beckoned. A small sparkle off something just inside the arched castle door, something half buried in the sand. It was the orb. Now my size and Jenkin’s motives made sense. I desperately grabbed the orb and felt its power surge through me. I began to morph and, looking down at my rapidly changing physique, was astonished at what I saw: three deep sea diver ornaments at the far end of the tank, pacing toward me. The women! In their hands, little knives. Jenkins’ force of will lived on in them. 

I had to use the orb’s power to protect myself from them, but I struggled to remember the correct incantation to make it obey my commands. Which Weird Al song was it? I had to be careful because if I chose the wrong lyrics the orb would turn against me. The women were getting ever closer, so it was now or never. I decided to try the chorus of “Spam Eater” and hope for the best. I sang it as loud as I could; while hopping on one foot with my left arm above my head and my right index finger in my ear, as I’d seen Jenkins do a fortnight ago.

“Oh, oh, here she comes.
Boy, she likes that processed meat.
Oh, oh, here she comes.
She’s a Spam eater!”

The orb pulsed in response to my song. I wanted to hold it again, to  direct its throbbing energy at the knife women, but my transformation was advancing too quickly. Sapped me all of my energy. My legs and feet were fusing together into one marbled green fin. My hair grew out and my clothes dissolved. I developed breasts but not a clam shell brassiere to cover them. I panicked until I remembered that Mother had always wanted a girl, and could I deny how many lovely days I’d spent in the attic wearing her mermaid costume, fantasizing about luring ships filled with men like Father to their deaths against craggy, jagged rocks?

If she could see me now, Mother would have been most pleased.

Where Do Ideas Come From?

Photo by Ana Fuji

For me, the completion of a writing project always unleashes a mélange of emotions: euphoria, sadness, relief…and dread. Dread? Yes. Because inevitably, digging its claws into my back after “The End” is this nagging persistent question: What am I going to write next?

Okay, but what’s the big deal, I thought of one idea, certainly another is already in the making? At the very least being cooked up somewhere in the deep recesses of the mind? But what if it’s not? What if the tank’s  empty? The well’s dry? Insert next cliché here. It’s not like I can just go down to the Idea Store and pick up a few items as easily if I were shopping for my next meal. Because Idea Stores went out of business years ago, remember? Too many shoplifters.

However. Hold on. There is good news. Really? Yes. Frowns upside down, on one…two…three.

The good news is this: ideas are all around us, we just have to be open to looking for them in the most unlikely of places. For instance, the idea for this blog post was found under a dead pigeon at the bus stop on the corner of Motor Avenue and Venice Boulevard. All I had to do was brush off the maggots and—wallah! Blog post.

What was I doing poking around a dead pigeon?

Moving on. Ideas for blog posts are one thing, a relatively small thing perhaps, a few hundred words, but what about the bigger ideas, the long term projects that necessitate thousands of words? A new short story, screenplay, novel, where are those babies lurking?

Where they are not, contrary to the literature I was handed at the aforementioned bus stop, is in the mouths of actual babes. Do not go looking there; the storks that bring those little bundles of joy into the world do not speak English and are particularly vicious.

So I must intensify my search, in which I mean I must prepare for battle. The days of simply sitting down at my desk with my thinking cap on are over. It’s a thinking helmet now, along with a hazmat jumpsuit, industrial gloves, iron-toed boots and a crowbar. Occasionally a blowtorch.

And with that, I’m off. I’ve heard rumors about ideas floating around free for the taking outside the Hyperion sewage treatment plant. If I find anything I’ll let you know.

In the meantime, where do you get your ideas?

Build A Story With Bryan #3 – Closing Friday, For Real This Time

Photo by David Shankbone

I know, I know, I’ve said it before, but I really mean it this time. Round 3 of Build A Story will close at the end of business this Friday. So act now to put your imaginative stamp on this tale. Lend a sentence or two and let us know what happens with our main character, currently trapped inside an aquarium. Read forth and create!

I knew what Jenkins did for a living, or I knew enough anyway to make me wish I knew nothing, yet when he called sounding so desperate for help it felt good to be needed again, a feeling gone cold since Mother had died, and so, ironically perhaps, against the better judgment she’d instilled in me, I agreed to cover for him for the day.

I was a fool, and soon to be a bitter one. I had no idea what putting on that costume really meant, nor could I have expected the world it would drag me into. I had worn another’s costume before; at Mother’s insistence, the theatrical garb she kept in the steamer trunk under her bed was to be aired out every other week, and seeing it hang lifelessly from the clothesline made me sad. I took a turn in it all, and trod the boards of the attic stage, one day a lady buccaneer hunting for treasure in breeches and blouse, a rubber dagger clenched between my teeth, the next a gypsy spinning spells in a long bright skirt and silk scarves, both arms loaded down with rhinstone bangle bracelets.

But never had I been inside a costume as all-consuming as Jenkins’ was, a costume that required its own breathing apparatus. 

I wasn’t surprised that I could hear my own breath, but I was startled by the unexpected sound of my own heartbeat, pulsing through the thick costume’s layers as if the material acted like an amplifier. It was because of that amplificatication that I didn’t hear them coming. I think there were three of them, but I can’t be entirely sure because my view of the world around me was partially obstructed by the costume’s feathers which surrounded the eye-holes.

“Tell us where the orb is, Jenkins!” I heard one of the women say. I was too distracted by her tiny size to notice a blade cutting through the thick rubber tubing that supplied oxygen to my mask, but the urge to giggle was soon replaced by terror, as I recalled a warning my brother had given me ten years ago. As I started to lose consciousness his voice echoed through my head:

“If you’re gonna fall, fall sideways. And watch out for tiny women with knives.”

When I regained consciousness I was in a room, which was dimly lit by the aquarium that covered one entire wall. I didn’t know what was in it, but I sensed danger immediately as I struggled to remember how I’d come to be in the room in the first place.

“No, no!” I screamed inside, but not aloud, for who could have heard me anyway, since my awareness of the dim light from the aquarium was, in fact, an awareness of being IN the aquarium…I was nothing more than miniature, man-in-an-antique-diving-apparatus toy decoration in the aquarium of a full-sized human I did not know, and coming to realization that my only way out was to find an ally in this strange, self-contained undersea world.

I’d recently seen a video of a beluga whale listening raptly to mariachis, and could only hope that a similarly sentient creature would prove to be a finny friend.

I slowly surveyed my surroundings, and noticed a possible ally to my left at the far end of the tank. My next task was to figure out how to maneuver myself that far without attracting the attention of the full-sized people outside. This was no easy feat as my statue-feet were both fixed firmly to a round disc with a suction cup which was attached to a smooth pink stone.

I tilted slightly to my left, hoping to lift the edge of the suction cup and release its grip – would it work?

Success. I toppled forward, angled into the gravel and with great effort retained my balance. I exhaled. Only then did I realize my breathing apparatus had been mended with thick waterproof tape. A great gout of bubbles spoke for me. I threw one leg forward, then the other, and soon I was Neil Armstronging across the great basin of brightly colored pebbles, kicking up aquatic dust and making for the glass.

But passing the wrecked boat and a towering flower of kelp, light flooded my world. Light from the room door opening. Light from the hall. I froze.

JENKINS!!

I recognized his hourglass cranium, his stooped walk. If I got my hands around his throat things would be different. I focused on that. And then…

I saw.

Into the light, his massive hands approached, holding a giant plastic shark.

“Of course,” I mused bitterly, feeling betrayed, “I’m just a pawn in Jenkins’s sordid little game of ‘Bite Me.’”

Jenkins drank a glass of water and then approached the aquarium and climbed a ladder to access the hatch at the top. I was surprised to notice that he was rapidly shrinking as he climbed. By the time he reached the top he was small enough to fit inside the mouth of the shark.

And foolishly, that was the last of Jenkins. I laughed through my face port as his arm sank slowly to the bottom of the tank, middle finger extended in true Jenkins style. I watched the shark drift onto the wrecked boat and just lay there, no doubt satiated by the corpulent mortician. I maneuvered quite clumsily to the sand castle. It was a long shamble and forced me to pause, heaving up at the castle tower that rose to within an inch of the box filter. My bubbles fled me every other breath like an evaporating flock of birds.

How will this story close out? Only you know the answer…

Build A Story With Bryan #3 – Extended!

Photo by Kogo

I was set to close the door on this story but the last two entries have blasted that door off its hinges. Hyperbole? Yes, it’s a Friday after all, and Round 3 of Build A Story has been given new life. So read on and add your sentence or two, let’s keep the story alive. 

I knew what Jenkins did for a living, or I knew enough anyway to make me wish I knew nothing, yet when he called sounding so desperate for help it felt good to be needed again, a feeling gone cold since Mother had died, and so, ironically perhaps, against the better judgment she’d instilled in me, I agreed to cover for him for the day.

I was a fool, and soon to be a bitter one. I had no idea what putting on that costume really meant, nor could I have expected the world it would drag me into. I had worn another’s costume before; at Mother’s insistence, the theatrical garb she kept in the steamer trunk under her bed was to be aired out every other week, and seeing it hang lifelessly from the clothesline made me sad. I took a turn in it all, and trod the boards of the attic stage, one day a lady buccaneer hunting for treasure in breeches and blouse, a rubber dagger clenched between my teeth, the next a gypsy spinning spells in a long bright skirt and silk scarves, both arms loaded down with rhinstone bangle bracelets.

But never had I been inside a costume as all-consuming as Jenkins’ was, a costume that required its own breathing apparatus. 

I wasn’t surprised that I could hear my own breath, but I was startled by the unexpected sound of my own heartbeat, pulsing through the thick costume’s layers as if the material acted like an amplifier. It was because of that amplificatication that I didn’t hear them coming. I think there were three of them, but I can’t be entirely sure because my view of the world around me was partially obstructed by the costume’s feathers which surrounded the eye-holes.

“Tell us where the orb is, Jenkins!” I heard one of the women say. I was too distracted by her tiny size to notice a blade cutting through the thick rubber tubing that supplied oxygen to my mask, but the urge to giggle was soon replaced by terror, as I recalled a warning my brother had given me ten years ago. As I started to lose consciousness his voice echoed through my head:

“If you’re gonna fall, fall sideways. And watch out for tiny women with knives.”

When I regained consciousness I was in a room, which was dimly lit by the aquarium that covered one entire wall. I didn’t know what was in it, but I sensed danger immediately as I struggled to remember how I’d come to be in the room in the first place.

“No, no!” I screamed inside, but not aloud, for who could have heard me anyway, since my awareness of the dim light from the aquarium was, in fact, an awareness of being IN the aquarium…I was nothing more than miniature, man-in-an-antique-diving-apparatus toy decoration in the aquarium of a full-sized human I did not know, and coming to realization that my only way out was to find an ally in this strange, self-contained undersea world.

I’d recently seen a video of a beluga whale listening raptly to mariachis, and could only hope that a similarly sentient creature would prove to be a finny friend.

I slowly surveyed my surroundings, and noticed a possible ally to my left at the far end of the tank. My next task was to figure out how to maneuver myself that far without attracting the attention of the full-sized people outside. This was no easy feat as my statue-feet were both fixed firmly to a round disc with a suction cup which was attached to a smooth pink stone.

I tilted slightly to my left, hoping to lift the edge of the suction cup and release its grip – would it work?

Success. I toppled forward, angled into the gravel and with great effort retained my balance. I exhaled. Only then did I realize my breathing apparatus had been mended with thick waterproof tape. A great gout of bubbles spoke for me. I threw one leg forward, then the other, and soon I was Neil Armstronging across the great basin of brightly colored pebbles, kicking up aquatic dust and making for the glass.

But passing the wrecked boat and a towering flower of kelp, light flooded my world. Light from the room door opening. Light from the hall. I froze.

JENKINS!!

I recognized his hourglass cranium, his stooped walk. If I got my hands around his throat things would be different. I focused on that. And then…

I saw.

Into the light, his massive hands approached, holding a giant plastic shark.

Only you know what will happen next…

Shout Out To The Creators

Jackson Pollock

Creative expression. Stimulating, rewarding, frustrating, invigorating. I’m passionate about it, I wrestle with it, and ultimately I love it, and just wanted to give a shout out to those who are struggling or succeeding with it in this moment.

“I want to thank anyone who spends part of their day creating. I don’t care if it’s a book, a film, a painting, a dance, a piece of theater, a piece of music. Anybody who spends part of their day sharing their experience with us. I think the world would be unlivable without art.”(Excerpt from Steven Soderbergh’s Oscar acceptance speech 2001)

A salute to those who put themselves out there, who share of themselves, make themselves vulnerable. Who communicate what it is that fascinates them about the human condition, the animal condition, the vegetable or mineral or alien condition.

Struggling is succeeding, and we are all struggling and succeeding together.

“Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.” (Kurt Vonnegut, A Man Without A Country)

I feel better. Don’t you?

Build A Story With Bryan #3 – One Week Left!

Photo by Prince Hughes III

We’re back story-builders! But there’s only one week left to leave your inimitable mark on this story.

Read forth and take us where you will, here’s the story so far: 

I knew what Jenkins did for a living, or I knew enough anyway to make me wish I knew nothing, yet when he called sounding so desperate for help it felt good to be needed again, a feeling gone cold since Mother had died, and so, ironically perhaps, against the better judgment she’d instilled in me, I agreed to cover for him for the day.

I was a fool, and soon to be a bitter one. I had no idea what putting on that costume really meant, nor could I have expected the world it would drag me into. I had worn another’s costume before; at Mother’s insistence, the theatrical garb she kept in the steamer trunk under her bed was to be aired out every other week, and seeing it hang lifelessly from the clothesline made me sad. I took a turn in it all, and trod the boards of the attic stage, one day a lady buccaneer hunting for treasure in breeches and blouse, a rubber dagger clenched between my teeth, the next a gypsy spinning spells in a long bright skirt and silk scarves, both arms loaded down with rhinstone bangle bracelets.

But never had I been inside a costume as all-consuming as Jenkins’ was, a costume that required its own breathing apparatus. 

I wasn’t surprised that I could hear my own breath, but I was startled by the unexpected sound of my own heartbeat, pulsing through the thick costume’s layers as if the material acted like an amplifier. It was because of that amplificatication that I didn’t hear them coming. I think there were three of them, but I can’t be entirely sure because my view of the world around me was partially obstructed by the costume’s feathers which surrounded the eye-holes.

“Tell us where the orb is, Jenkins!” I heard one of the women say. I was too distracted by her tiny size to notice a blade cutting through the thick rubber tubing that supplied oxygen to my mask, but the urge to giggle was soon replaced by terror, as I recalled a warning my brother had given me ten years ago. As I started to lose consciousness his voice echoed through my head:

“If you’re gonna fall, fall sideways. And watch out for tiny women with knives.”

When I regained consciousness I was in a room, which was dimly lit by the aquarium that covered one entire wall. I didn’t know what was in it, but I sensed danger immediately as I struggled to remember how I’d come to be in the room in the first place.

“No, no!” I screamed inside, but not aloud, for who could have heard me anyway, since my awareness of the dim light from the aquarium was, in fact, an awareness of being IN the aquarium…I was nothing more than miniature, man-in-an-antique-diving-apparatus toy decoration in the aquarium of a full-sized human I did not know, and coming to realization that my only way out was to find an ally in this strange, self-contained undersea world.

I’d recently seen a video of a beluga whale listening raptly to mariachis, and could only hope that a similarly sentient creature would prove to be a finny friend.

 I slowly surveyed my surroundings, and noticed a possible ally to my left at the far end of the tank. My next task was to figure out how to maneuver myself that far without attracting the attention of the full-sized people outside. This was no easy feat as my statue-feet were both fixed firmly to a round disc with a suction cup which was attached to a smooth pink stone.

Take the story where you think it should go next…

On Influences – Tim Burton

My parents were in town recently and we paid a visit to the Tim Burton exhibition at LACMA, which is a treasure-trove of his sketches, illustrations, paintings, and short films, as well as a collection of models, props and costumes from his various feature films. It’s abundantly clear the guy has always been bursting with dark, mischievous imagination, even from a very young age.

After getting a taste of Mr. Burton’s macabre aesthetic, and having read more than a few of my stories and scripts over the years, my dad sensed we might be kindred spirits and asked me if he’d been an influence. I answered with an unequivocal “Yes.”

I saw “Pee-Wee’s Big Adventure” when it opened in 1985 and enjoyed it, but it was “Beetlejuice” three years later that really made an impression on me. I’d never seen anything like it before, and it remains my favorite Burton film. Working from a brilliantly original screenplay by the late Michael McDowall and the late Warren Skarren (story by McDowall and Larry Wilson), Burton let loose his talent for mixing the morbid and the banal into something twisted and humorous, and yet somehow still tenderhearted, and created a world where the humans not the monsters are the real horror show.

Burton achieved similar results with “Edward Scissorhands” (scripted by Caroline Thompson, who also wrote the script for “The Nightmare Before Christmas”). One of its first images is of Edward’s home, a crumbling gothic manor on a hill overlooking a suburban neighborhood stocked with cookie-cutter houses painted in sickening pastels. Edward with his literal scissors for hands is brought into this society, and some people accept him, some people even love him, but ultimately the fear and prejudices of a vocal minority drive him back to the castle.

It’s these more personal, idiosyncratic projects that I respond to, more so than “Batman” or “Planet of the Apes” or “Alice in Wonderland.” However, for the record, I am a devoted fan of “Batman Returns,” in my opinion the weirdest and darkest studio summer film ever made. It’s obvious Warner Brothers took the leash off, and Burton and his collaborators delivered something more inspired and challenging than its predecessor. Absolutely not what most people were expecting. In an interview the film’s screenwriter Daniel Waters (another influence, his script for “Heathers” is exceptional) described people coming out of a screening looking like they’d just been punched in the face. Fantastic!

Although my stories are ultimately more sinister in tone than Burton’s, probably much closer to David Lynch territory in fact (another influence I’ll get to in a separate post), Burton’s influence is definitely present in the fairytale sequences I devised for my psychological thriller screenplay “The Wrinkleman,” and in the setting and characters in “The Creeps,” my horror-fantasy script about an orphan girl and a nightmare salesman. And we both share a general love for turning innocence on its ear, finding the humor in the grotesque, and placing our sympathies with the monster rather than the ordinary man.

Are you a Tim Burton fan? If you’re a writer, director, artist, etc., has he influenced or inspired you? What’s your favorite Burton film?

Build A Story With Bryan #3 – Building, Building, Building…

Photo by R. Wampers

Our third round of story-building has picked up considerably in the last week. The mystery deepens, but perhaps you and the words you keep in your trusty tool box can deliver some answers. Here’s the story so far. Give it a read and have at it!

I knew what Jenkins did for a living, or I knew enough anyway to make me wish I knew nothing, yet when he called sounding so desperate for help it felt good to be needed again, a feeling gone cold since Mother had died, and so, ironically perhaps, against the better judgment she’d instilled in me, I agreed to cover for him for the day.

I was a fool, and soon to be a bitter one. I had no idea what putting on that costume really meant, nor could I have expected the world it would drag me into. I had worn another’s costume before; at Mother’s insistence, the theatrical garb she kept in the steamer trunk under her bed was to be aired out every other week, and seeing it hang lifelessly from the clothesline made me sad. I took a turn in it all, and trod the boards of the attic stage, one day a lady buccaneer hunting for treasure in breeches and blouse, a rubber dagger clenched between my teeth, the next a gypsy spinning spells in a long bright skirt and silk scarves, both arms loaded down with rhinstone bangle bracelets.

But never had I been inside a costume as all-consuming as Jenkins’ was, a costume that required its own breathing apparatus. 

I wasn’t surprised that I could hear my own breath, but I was startled by the unexpected sound of my own heartbeat, pulsing through the thick costume’s layers as if the material acted like an amplifier. It was because of that amplificatication that I didn’t hear them coming. I think there were three of them, but I can’t be entirely sure because my view of the world around me was partially obstructed by the costume’s feathers which surrounded the eye-holes.

“Tell us where the orb is, Jenkins!” I heard one of the women say. I was too distracted by her tiny size to notice a blade cutting through the thick rubber tubing that supplied oxygen to my mask, but the urge to giggle was soon replaced by terror, as I recalled a warning my brother had given me ten years ago. As I started to lose consciousness his voice echoed through my head:

“If you’re gonna fall, fall sideways. And watch out for tiny women with knives.”

When I regained consciousness I was in a room, which was dimly lit by the aquarium that covered one entire wall. I didn’t know what was in it, but I sensed danger immediately as I struggled to remember how I’d come to be in the room in the first place.

What will happen next? Only you know the answer.