Tag Archives: Stephen King

What Are You Reading?

Although not as exciting as lurking outside your windows and occasionally peeking in to see what you’re reading, it’s easier to just put the question to you in blog form. So here goes: What are you reading these days? Fiction, non-fiction, biography, memoir, comics, tech manuals, graffiti, tea leaves?

While you think about it, here’s what I’m reading at the moment: This Wheel’s On Fire: Levon Helm and the Story of the Band by Levon Helm with Stephen Davis, Mark Haddon’s The Curious Incident of the Dog In the Night-timeCanada by Richard Ford, and last but not least, Putting Circles Into Squares For Dummies, by Advarious Starch. I imagine most of you also have a few books going at the same time. A different book for a different mood, right? Sometimes I’m dreaming about Canada and sometimes about setting wheels on fire.

Are you looking forward to any upcoming releases this fall? I am. Stephen King’s Doctor Sleep, Thomas Pynchon’s Bleeding Edge, The Goldfinch by Donna Tartt, Salinger by Shane Salerno and David Shields (in support of the Salinger documentary coming out next month, which also looks pretty enticing) and of course, Funk in the Trunk: A Mongoose Fingus Mystery, by Tiara Loo.

So then, pretend I’ve got my nose pressed up against the glass outside your reading room while you’re curled up in your favorite chair, lost in a good book. What titles would I see in there before you call the police?

Plagiarism in Literature

Associated Press

In the wake of the recent Assassin of Secrets plagiarism scandal, I started looking for novels and stories with characters who have performed similar transgressions, whether attempting to pass off another’s creative work as their own, or trying to push a memoir that’s a complete fabrication. Alas, what is so sadly despicable in real life makes for delightfully fiendish fun in fiction. Fortunately or unfortunately, there isn’t a list on the Internet I could plagiarize so here’s a quick list of 8 titles:

My Life as a Fake – Peter Carey

The Thieves of Manhattan – Adam Langer

Secret Window, Secret Garden – Stephen King (from the collection Four Past Midnight)

Chatterton – Peter Ackroyd

Operation Shylock – Philip Roth (this one is more about impersonation, which is still a form of plagiarism)

EPICAC – Kurt Vonnegut (a short story from Welcome to the Monkey House)

Old School – Tobias Wolff

Plot It Yourself (A Nero Wolfe Mystery) – Rex Stout

I feel like there are a few big and obvious ones that I’m missing, and I bet you know what they are. Please feel free to add onto this list in your comments. First person to comment gets a free pass to plagiarize me. What a deal!

Do You Write Without A Net?

Man on Wire

There are many popular writers out there, John Irving among them, who never begin a project without knowing exactly where they’re going. I remember an interview with Irving where he said he starts a book by figuring out what its last sentence will be. There is something to be said for having a map, a guide book of sorts to keep you on track, to allow you to chart your progress.

Conversely, there are just as many well-known writers, Stephen King among them, who start with just a germ of an idea, a character or two, and then delight in discovering their story in the moment as they’re actually writing it. They feel that an outline only serves to stifle the creative process; in their view, to plot a story is to suffocate it.

Here’s where I stand on the issue: I spent many years authoring screenplays which began life as  structured, organized outlines, and so when it came to writing my first novel I was determined to work without a net. I knew only the bare essentials before plunging in: the story would involve repressed memories, and my teenage main character would somehow become his parents’ therapist.  The process was extremely liberating; in fact, maybe too liberating, in that it resulted in a huge first draft. But I don’t regret my choice and believe the story would not have as much of the energy and surprise that it does if I had plotted it out beforehand.

Things are a bit different with my new project, a YA horror novel. I’ve decided to go a bit further with plotting, to know more about the story and characters before I set off to write. I’m not sure if it’s because this is a “genre” project and I’m concerned about hitting on certain “genre” beats or expectations, but it just feels like the right move for this story. However, I haven’t completely abandoned my intrepid spirit, as my plot structure is pretty loose and I’ve purposely left open the answers to several questions that I’ll dig up when I start writing. There needs to be an element of mystery, a willingness to embrace the unexpected, or the writing will go stale. I can only write about my characters and the story for so long before I get the itch to finally bring them both to life.

So how about you? If you’re a writer reading this, where do you fall on the issue of story preparation? Outline or no outline? Net, or nothing but the unforgiving ground to catch you if you fall?