Tag Archives: Ben Loory

What I Heard At The LA Times Festival Of Books!

Photo by Carolyn Kraft

It is a blessing the doctors were able to replace my ears in time for this year’s Los Angeles Times Festival of Books. I’ll never fall asleep in a lawn care store again, let me tell you.

Anywho, this past weekend the LATFOB was held once again at the glamorous USC campus and was a treasure trove for authors and readers alike. I checked it out on both Saturday and Sunday, and the gauze was just breathable enough to let in many an insight and observation, as well as several nuggets of wisdom. Here is a smattering of what I heard:

“Authors are the brand, not the publishers.”

“The intimacy between book and reader is part of every aspect of the industry.”

“An editor’s job is to connect the writer and the reader. Editors are sometimes guilty of not thinking about that.”

“Staying respectful is very hard to do on the internet.”

“Before Amazon, it was Barnes & Noble and Borders as the behemoths [accused of] crushing the industry, and now it’s like ‘please Barnes & Noble, please stick around!’ ”

“Someone told me that you’re only allowed one dream sequence in your career, and I’ve just blown my load in this new book.”

“I don’t remember my dreams, but for some reason people always tell me theirs…so I steal them.”

“Anyone who looks at the world, if you’re not writing horror stories, what are you doing?”

“I push back against the label ‘literary’ horror. It sounds like, ‘we like you but not your friend.’ ”

[Regarding writing] “There is no way you can escape the work.”

“Elevators are the physical manifestation of a traumatized mind.”

Photo by Carolyn Kraft

“Every story should start a chapter late and end a chapter early.”

“A fellow writer once described my book as this beautiful bonbon that when you bite into it oozes puss and maggots.”

[Regarding technology] “We tend to believe that we can make it, but not always should we make it.”

“Young people don’t have the opportunity to be bored anymore.”

“I believe there is a creative energy that connects our hearts to each other.”

“I have a blood splatter library.”

“As a Nigerian-American, you have four career options: Doctor, lawyer, engineer, disgrace to the family.”

“It is the insecurity of our parents that stifles our children.”

“Listening keeps my writing fresh.”

“You find out at 15 that you don’t have much control over what happens to you. But you do have control over how you react to it.”

“Excellence is a habit.”

 

WHO SAID THIS STUFF: Carolyn Kellogg; Betty Amster; Peter Ginna; Glory Edim; Ginna; Carmen Maria Machado; Victor LaValle; Ben Loory; LaValle; Jason Reynolds; Reynolds; Reynolds; Dhonielle Clayton; Marie Lu; Reynolds; Laurie Halse Anderson; Emily Carroll; Tochi Onyebuchi; Reynolds; Renee Watson; Anderson; Reynolds

 

LATFOB – What Stuck With Me Part 2

Photo by Carolyn Kraft

“Fiction is like a trust fall. Sometimes the story catches you and sometimes it doesn’t…and you wake up with a bump on your head.”

“Why is calling something realistic a compliment? Just because something’s realistic doesn’t mean it’s true.”

“Everything that talks about the human situation is political.”

“The point of every story is that there are two sides of things, both good and bad, optimistic and pessimistic.”

“I tend to write when I’m upset about something.”

“I spent fifteen hours on a plane to Argentina with a fat German next to me who farted the entire time.”

“Freeze your jeans. Kills the germs from farting.”

“Eventually every Wikipedia article leads to squid.”

“The Internet is a terrible distraction for writers.”

“Starting is just about writing sentences, collecting voices. Need to be comfortable being in the dark.”

“People really want short stories. They buy novels, but really they don’t want them.”

“Reading a work in translation is like kissing someone through a handkerchief…which does have a kinky charm to it.”

“Robert Louis Stevenson based the character of Long John Silver on a friend with all of his finer qualities removed.”

“Fiction is the exploration of the self in the world.”

“All of us are many people and writing is a way to expose our other personalities.”

“You know who’s got great beer? The Czech Republic. You should go there.”

“I write with the feeling that the book could go anywhere, that the whole premise could change in the middle of a sentence.”

“Form is what makes fiction transcendent.”

“As Robert Frost wrote, ‘No surprise for the writer, no surprise for the reader.'”

“Does reading have to be a totally immersive experience? Can’t it be ‘I like this story/I like this sentence.’?”

“I like transparency in art, the idea of knowing that this was created by someone. Jackson Pollack included his own detritus in his paintings: tobacco, dirt, lint. It’s nice to feel like you’re interacting with the creation of the work.”

“There’s this whole idea of momentum in modern fiction, that the  writer has to pick a reader up and carry him or her forward and then drop them off at a certain point, unchanged, probably, at the most a bit breathless and flushed.”

 

The preceding witticisms and wisdom were recorded on a miniature yellow notebook on Sunday April 22 at the Los Angeles Times Festival of Books. The purveyors of said perspicacity were an anonymous festival-goer and the following authors: Etgar Keret, Sara Levine, Ben Loory, Amelia Gray, Elizabeth Crane, Ben Ehrenreich, Mark Leyner, and Aimee Bender.