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CRUEL AND UNUSUAL – PART II
The last we saw them, a princess, a witch, a dwarf, a king, a thief, a fairy, an orphan, a giant, and a swan and a tailor and a magical baker all crossed paths in a dark, dark wood. They thought, collectively, this is important, this means something.
Nope. Not really.
CRUEL AND UNUSUAL – EPILOGUE
The swan was eaten, and the princess and the dwarf are currently in a codependent relationship.
Photo by Nick Smith
CRUEL AND UNUSUAL – PART I
A princess, a witch, a dwarf, a king, a thief, a fairy, an orphan, a giant, and a swan and a tailor and a magical baker crossed paths in a dark, dark wood. Oh, this can’t be a coincidence, they thought. Something meaningful was about to happen.
Photo by Carolyn Kraft
“Starting a book trying to achieve the big picture will get you into trouble.”
“You can’t be an American novelist and not be haunted by The Great Gatsby.”
“Reinvention. Characters who try always fail…and that’s a novel.”
“Cormac McCarthy has three books where babies are being eaten. How does he get away with that?”
The answer to our nation’s problems is craft brewing. It’s the artisanal movement that’s going to save us.”
“75% of all literary fiction readers are female.”
“I refuse to have a cover with a beheaded woman on it.”
“Can’t think about who’s going to like your book while you’re writing it.”
“Fiction is an act of prolonged empathy.”
“Writing is about trying to be less afraid.”
“The reward of writing is the opportunity of having a genuine experience.”
“Worst thing to do as a writer is to be afraid of writing from the perspective of gender or race other than one’s own.”
“You can’t read a great novel and update your Facebook status at the same time.”
“I want to entertain myself at the same time I’m trying to entertain my audience.”
“You never stop coming of age.”
“When you go into a project nervous–that’s a good sign.”
“If you’re from the South and someone kills a person in front of you, the proper thing to say is ‘Well, that was a very interesting choice.'”
“While you’re writing, always ask yourself ‘Is it true?'”
“The hive mind is in ascendance.”
“YA writers have established a community; they even write together.”
“This is the golden age of storytelling in YA fiction.”
“To be a reader now is really to be in pig heaven.”
“There needs to be more diversity in YA literature. Overall, there’s not a lot of people of color [in executive positions] in the publishing industry.”
“Transvaginal wanding is not just my drag name.”
“Fairytales take away the burden of originality. They are like a river of stories we can dip into and swim around in.”
“Fairytales invite us to change the world as we know it. And because it is a world of change it’s possible to take the marginal characters and make them the center of the story.”
“Fairytales are constantly recast to fit the culture.”
“Ultimately what we take away from fairytales isn’t their morals but their sense of wonderment.”
“It is so pleasurable to read as a child.”
“Finding yourself as a writer is discovering what really moves you as a reader.”
“Writing is intuitive. Like a person stumbling around a dark room, a dark forest. Images become stepping stones to get across the river.”
“Post-modern novels seem to be contemptuous of the reader.”
“The first job of the writer isn’t to cater to the audience.”
“The challenge is clarity.”
“Amazing that out of nothing can come a novel.”
The wit and wisdom above was collected onto a miniature yellow notepad Saturday April 21 at the Los Angeles Times Festival of Books. Said perspicacity was uttered by anonymous festival-goers, as well as the novelists Chad Harbach, Lauren Groff, Jonathan Evison, Anthony Giardina, Libba Bray, Pete Hautman, Aimee Bender, Sarah Shun-lien Bynum, Trinie Dalton, Jack Gantos, Ransom Riggs, and Thane Rosenbaum.