Tag Archives: Lauren Groff

Festival of Books 2013 – What Struck Me Part 1

 

Photo by Carolyn Kraft

Photo by Carolyn Kraft

The Los Angeles Times Festival of Books is always a great time, and this past weekend’s event did not disappoint. And how could it, really, with two full days on the beautiful USC campus where books and authors reigned supreme?

If you were there I’d love to hear about your experience. In the meantime, here’s a sampling of what struck me from Day 1’s author panels and, in a few instances, my own casual eavesdropping on some unsuspecting festival-goers:

“The music of the writing has to marry the story being told.”

“It’s a fun challenge to describe something from another art form.”

“Hell yes it’s an antiwar novel!”

“There’s a reason why 19-year olds are crazy. Whipsawed between raging hormones and the most profound existential questions in life.”

“My process is creative floundering. With this kind of work we have to create our own problems. That’s why writers are crazy.”

“I went nuclear on my publisher not to have a headless woman on the cover.”

“You shouldn’t be taken less seriously as writer because of your gender.”

“Endings are hard. There’s a significant amount of psychological pressure when you don’t know how the novel is going to end. But it’s also thrilling.”

“Flannery O’Connor said that she liked a story that was like a sandwich she eats on a Thursday and makes her sick on a Saturday. It’s got to stay with you.”

“There is no time in the psychological.”

“When you’re looking for feedback on something you need a reader who will accept the story on its own terms, who won’t try to impose on it their idea of what a story should be.”

“Stuff: In the end it doesn’t mean anything.”

“The only you fail to make something better is by not trying.”

“We can’t help but remake ourselves constantly. Have to really work at being stuck.”

“Fortune-telling: Sometimes we want to invest someone with the authority to tell us what we already know.”

“You never know what in your life you’re going to use in a book.”

“Characters who are omnipotent ruin the hell out of your plot.”

“I like to be the writer, the reader, and the character simultaneously.”

“Isabel Allende said writing is lonely; it’s the response that reconnects you to the world.”

“You can visit a country by reading its folktales.”

“Why did they give the new Star Wars movie to J.J. Abrams? I know exactly what that movie is going to be, I don’t need to see it. They should have given it to someone like Eli Roth to direct.”

“The idea that terrifies you the most, that’s the story to write.”

“Writing is not a choice. It’s like I have no choice but to write.”

“Michael Bay is actually our greatest independent director.”

“A writer has to be willing to torture his characters.”

“A story is like a piano: a finite number of keys but an infinite number of melodies.”

“Writer’s block is really just the critical voice overwhelming the creative voice.”

Those quoted above include: a group of gently snarky USC students; Janet Fitch; Ben Fountain; Lauren Groff; Elizabeth Berg; Amity Gaige; Nalo Hopkinson; Gennifer Albin; Mark Frost; Cornelia Funke; Lauren Oliver; Lissa Price; Veronica Roth; Victoria Schwab

 

LATFOB – What Stuck With Me Part 1

Photo by Carolyn Kraft

“Starting a book trying to achieve the big picture will get you into trouble.”

“You can’t be an American novelist and not be haunted by The Great Gatsby.”

“Reinvention. Characters who try always fail…and that’s a novel.”

“Cormac McCarthy has three books where babies are being eaten. How does he get away with that?”

The answer to our nation’s problems is craft brewing. It’s the artisanal movement that’s going to save us.”

“75% of all literary fiction readers are female.”

“I refuse to have a cover with a beheaded woman on it.”

“Can’t think about who’s going to like your book while you’re writing it.”

“Fiction is an act of prolonged empathy.”

“Writing is about trying to be less afraid.”

“The reward of writing is the opportunity of having a genuine experience.”

“Worst thing to do as a writer is to be afraid of writing from the perspective of gender or race other than one’s own.”

“You can’t read a great novel and update your Facebook status at the same time.”

“I want to entertain myself at the same time I’m trying to entertain my audience.”

“You never stop coming of age.”

“When you go into a project nervous–that’s a good sign.”

“If you’re from the South and someone kills a person in front of you, the proper thing to say is ‘Well, that was a very interesting choice.'”

“While you’re writing, always ask yourself ‘Is it true?'”

“The hive mind is in ascendance.”

“YA writers have established a community; they even write together.”

“This is the golden age of storytelling in YA fiction.”

“To be a reader now is really to be in pig heaven.”

“There needs to be more diversity in YA literature. Overall, there’s not a lot of people of color [in executive positions] in the publishing industry.”

“Transvaginal wanding is not just my drag name.”

“Fairytales take away the burden of originality. They are like a river of stories we can dip into and swim around in.”

“Fairytales invite us to change the world as we know it. And because it is a world of change it’s possible to take the marginal characters and make them the center of the story.”

“Fairytales are constantly recast to fit the culture.”

“Ultimately what we take away from fairytales isn’t their morals but their sense of wonderment.”

“It is so pleasurable to read as a child.”

“Finding yourself as a writer is discovering what really moves you as a reader.”

“Writing is intuitive. Like a person stumbling around a dark room, a dark forest. Images become stepping stones to get across the river.”

“Post-modern novels seem to be contemptuous of the reader.”

“The first job of the writer isn’t to cater to the audience.”

“The challenge is clarity.”

“Amazing that out of nothing can come a novel.”

 

The wit and wisdom above was collected onto a miniature yellow notepad Saturday April 21 at the Los Angeles Times Festival of Books. Said perspicacity was uttered by anonymous festival-goers, as well as the novelists Chad Harbach, Lauren Groff, Jonathan Evison, Anthony GiardinaLibba Bray, Pete Hautman, Aimee Bender, Sarah Shun-lien Bynum, Trinie Dalton, Jack Gantos, Ransom Riggs, and Thane Rosenbaum.