Tag Archives: Libba Bray

What Are You Reading?

Photo by Serge Melki

Photo by Serge Melki

As July slowly but surely starts to brown around the edges, it’s time to catch up with you, my fellow book lovers, and find out what’s been on your reading tables 0f late. As we all know, the most highly anticipated and controversial book this summer is Fudgin’s Doesn’t Not Play Nice, by P.I.X. Gwantonomous. But there’s been so much press and social chatter about it already, I won’t drag us down that rabbit hole.

But how about the second most highly anticipated and controversial book released this summer? Harper Lee’s Go Set A Watchman. Have you read it? Are you going to? I’ve read a few reviews and despite the lukewarm response it still piques my interest. But I’m a little queasy about buying a book that it’s dementia-addled author may have been coerced into publishing. Do I want to finance her exploitation? Am I being too precious about this? You tell me.

Anyway, in the past month I’ve read Ready Player One, by Ernest Cline, and The World According to Garp, by John Irving. Both books are great reads and rather topical; Ready Player One because 1980’s pop culture will never, ever, ever die, and Garp because it includes a zany but honest and humane exploration of a transgender celebrity.

At the moment and in anticipation of my attending the annual SCBWI Summer Conference, I’ve currently got my nose in The Diviners, by Libba Bray. To my knowledge, Ms. Bray isn’t scheduled to be at the conference, but her agent Barry Goldblatt is and I’d really like to talk with him. On the horizon there’s some intriguing nonfiction for me to get to, like Raising Hell: Ken Russell and the Unmaking of The Devils, and H Is For Hawk, by Helen Macdonald.

So that’s my book business, what are you reading these days?

LATFOB – What Stuck With Me Part 1

Photo by Carolyn Kraft

“Starting a book trying to achieve the big picture will get you into trouble.”

“You can’t be an American novelist and not be haunted by The Great Gatsby.”

“Reinvention. Characters who try always fail…and that’s a novel.”

“Cormac McCarthy has three books where babies are being eaten. How does he get away with that?”

The answer to our nation’s problems is craft brewing. It’s the artisanal movement that’s going to save us.”

“75% of all literary fiction readers are female.”

“I refuse to have a cover with a beheaded woman on it.”

“Can’t think about who’s going to like your book while you’re writing it.”

“Fiction is an act of prolonged empathy.”

“Writing is about trying to be less afraid.”

“The reward of writing is the opportunity of having a genuine experience.”

“Worst thing to do as a writer is to be afraid of writing from the perspective of gender or race other than one’s own.”

“You can’t read a great novel and update your Facebook status at the same time.”

“I want to entertain myself at the same time I’m trying to entertain my audience.”

“You never stop coming of age.”

“When you go into a project nervous–that’s a good sign.”

“If you’re from the South and someone kills a person in front of you, the proper thing to say is ‘Well, that was a very interesting choice.'”

“While you’re writing, always ask yourself ‘Is it true?'”

“The hive mind is in ascendance.”

“YA writers have established a community; they even write together.”

“This is the golden age of storytelling in YA fiction.”

“To be a reader now is really to be in pig heaven.”

“There needs to be more diversity in YA literature. Overall, there’s not a lot of people of color [in executive positions] in the publishing industry.”

“Transvaginal wanding is not just my drag name.”

“Fairytales take away the burden of originality. They are like a river of stories we can dip into and swim around in.”

“Fairytales invite us to change the world as we know it. And because it is a world of change it’s possible to take the marginal characters and make them the center of the story.”

“Fairytales are constantly recast to fit the culture.”

“Ultimately what we take away from fairytales isn’t their morals but their sense of wonderment.”

“It is so pleasurable to read as a child.”

“Finding yourself as a writer is discovering what really moves you as a reader.”

“Writing is intuitive. Like a person stumbling around a dark room, a dark forest. Images become stepping stones to get across the river.”

“Post-modern novels seem to be contemptuous of the reader.”

“The first job of the writer isn’t to cater to the audience.”

“The challenge is clarity.”

“Amazing that out of nothing can come a novel.”

 

The wit and wisdom above was collected onto a miniature yellow notepad Saturday April 21 at the Los Angeles Times Festival of Books. Said perspicacity was uttered by anonymous festival-goers, as well as the novelists Chad Harbach, Lauren Groff, Jonathan Evison, Anthony GiardinaLibba Bray, Pete Hautman, Aimee Bender, Sarah Shun-lien Bynum, Trinie Dalton, Jack Gantos, Ransom Riggs, and Thane Rosenbaum.