Tag Archives: reading

Reader in Residence

If I had a nickel for every time I’ve asked myself, “Goodness, Bryan, couldn’t you just live in a bookstore,” I’d finally be able to afford that immersion therapy to get over my fear of nickels.

Well, I am pleased to announce that this is no longer a hypothetical musing. What started as a surprise weekend trip to Portland, Oregon has turned into (surprise!) a bid to establish residency inside Powell’s, the legendary independent bookstore. There it is, right down there.

And there I am, just prior to never leaving the store again.

Now, don’t worry about me, I’ve got all my basic needs covered.

And for the times I start to lose faith in my mission, a little inspiration….

And just an FYI, I always brush between meals.

I think someone else tried establishing residency here–whatever happened to that guy?

Okay, well, wish me luck! According to Oregon law I only have 364 more days before I’m declared a legal resident of the store. I also could be making that up completely.

No joke, though, I am bushed after all that eating! Guess I’ll bed down right here in the Pearl Room. Good night for now.

Who hasn’t dreamed of sleeping under an SQL guidebook?

Ed. Note: Feel free to send cards, pleas for reason, and bail money to Powell’s City of Books, Attn: Guy Doing His Best To Keep Portland Weird, Blue Room, 1005 W. Burnside St., Portland, OR 97209.

What Are You Reading This Summer?

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Photo by Caterina

Hey, it’s been over a year since I last put up a What Are You Reading? post, and because the summer is when many of us catch up on our book piles, it’s time to check in on your literary to-do list.

Me, I’ll be honest, Summertime is when I go diving into the dumpsters of literature for stuff that, even when you dust off the rat corpses fused to it, makes your conscience ache like it’s got a parasite………..at least not until September.

Go ahead, judge me, I’m not ashamed. Just yesterday I was at the local coffee shop flaunting my trash for all the world to see. There I was, sipping an iced tea and cracking the spine on Esoteric Approaches To Hybrid Bioreactor Landfilling—

Okay, okay, fine, you caught me in a lie. That’s not the title. It’s Erotic Approaches to Hybrid Bioreactor Landfilling. And oh did people ogle.

But lest you think I’m all style and no substance, I finished some outstanding novels recently: The Door, by Magda Szabo, The House With A Clock In Its Walls, by John Bellairs, Trouble Is A Friend of Mine, by Stephanie Tromly. And, currently, whenever I tire of Erotic Approaches, I pick up where I left off on Hillbilly Elegy, by J.D. Vance.

So, what about you? What are you reading this summer?

LA Times Festival of Books!

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Photo by Carolyn Kraft

If it’s the end of April it can only mean a few things. One, that my wooden leg will start to yearn for the boreal forests of Norway and I will spend hours on the phone negotiating the fake limb rate with Virgin Atlantic, and two, the Los Angeles Times Festival of Books. Held this past weekend on the luxurious USC campus, the LATFOB was once again a shining mecca for writers and readers, and, this year, the grounds for a clever-creepy marketing campaign for Hulu’s adaptation of The Handmaid’s Tale, by Margaret Atwood.

I was in attendance on both Saturday and Sunday, and heard many an inspiring word. Here are some of those words:

“Writing is like breathing to me; if I don’t write, I’ll die.”

“A really good novel is like a burlesque show.”

[Regarding “unlikable” characters in YA fiction] “I remember when I was a teenager, my thoughts were pretty evil; I just didn’t say everything.”

[Regarding a writer’s process] “Instead of ‘pantser’ or ‘plotter,’ I like to think of it as are you a gardener or are you an architect?”

“The daily mind is lazy relative to the reader mind.”

“Language can be twisted to tolerate lies.”

“My experiences as a teenager were kind of dull, but my emotions were epic.”

“Chipotle asked me, do you have something that we can put on a bag for a shit-ton of money?”

“When it comes to my characters, I am a horrible person.”

Photo by Carolyn Kraft

“The highest truth is a series of contradictions.”

“That first email to Erwin, that was confrontational.” “No, it wasn’t.” “Yes, it was.” “No.” “Yes, it was like ‘I’m here, looking for a fight.'” “No way.” “Do you want me to read it back to you?”

“You don’t write for ‘children’ you write for one child, or for the child you used to be.”

“When you’re writing a story and you get stuck, embrace it. It’s just the story telling you, ‘You’re not listening to me.’ ”

“People spend more money on yoga than on books.” “Maybe we could change that if we can convince people to read in hot rooms.”

“I used to have this condition when I was younger called Hemingway boner.”

“I don’t know if I’m gifted, but I do know how to work hard. I have discipline.”

“We’re able to entertain several different versions of the truth simultaneously.”

“I will defend trashy YA to my death.”

“First drafts are like I’m just shoveling sand into a sandbox; later on, I’ll build sand castles.”

WHO SAID THIS STUFF (in order): Benjamin Alire Saenz; Aaron Hartzler; Maggie Thrash; Ellen Hopkins; George Saunders; Saunders; Julie Berry; Saunders; Frances Hardinge; Saunders; strangers overheard before the start of a panel discussion; Melissa de la Cruz; Saunders; Lisa Lucas and Oscar Villalon; Saunders; Saenz; Saunders; Thrash; Shannon Hale

LA Times Festival of Books!

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Photo by Carolyn Kraft

It’s April again and that can mean a lot of different things to a lot of different people. My apologies to anyone looking for a post on whether or not creamed honey will finally be classified as an alternative fuel. (You’ll have to wait for my review later this year of the new Nissan Mecha-Grizzly.)

This post is about the 21st Annual LA Times Festival of Books, held last weekend on the beautiful brick and stone USC campus. Saturday was rainy and Sunday was sunny and both days were very well-attended. Here are some of the intriguing things the authors I saw had to say:

“Magical realism reminds us as human beings that there is hope and beauty out there.”

“If you believe along with the narrator that the [fantastical] things happening are true, it’s not magical realism. If you don’t, then it is.”

“Writers are often reacting to things that frustrate them about their other writing.”

“YA [literature] is so wide open. You can go anywhere you want. There’s no box you have to fit into.”

“When people have complimented me on my writing, they said it’s mysterious and cryptic and things are not explained. When people have criticized my writing, they said it’s mysterious and cryptic and things are not explained.”

“What’s cool about art is the exceptions.”

“I don’t really care what genre means. The work can take care of itself.”

“When you begin a novel you feel like a bit of a fraud. The more you do it the more faith you have in the viability of the world you’re creating.”

“I think about readers after the fact. It’s not what drives me to do the work. I don’t think it’s healthy to think about it.”

“Fiction, art, always has to be life plus.”

“Donald Trump is able to go for the jugular. It’s like he stole Jeb Bush’s lunch money, threw his shoes up on top of the school, and Jeb couldn’t handle it.”

“Disney told me, ‘We want a thriller, but nothing bad can happen.’ ”

“What’s special about this story? If I can’t find it, I don’t write it.”

“There’s no ‘Red Weddings’ in Middle Grade.”

“My narrator is the crotchety old man who lives inside of me.”

Photo by Carolyn Kraft

“Very rarely will someone buy your intentions. Finish the book.”

“The anxiety of not knowing where I’m going in a story is what drives me.”

“I wrote this [middle grade] book as a YA novel, but it’s not. My editor pointed this out to me.”

“Wonder isn’t about finding answers; it’s about being comfortable with the questions.”

“There are as many ways to be dead as there are to be alive.”

“Teenagers: Maximum personal responsibility with absolutely no personal power.”

“Some 17-year-olds are 13 in their heads and some 17-year-olds are 25 in their heads. And they have to hang out together.”

“The only thing worse than writing is not writing.”

“Every first draft I go through this question: ‘I don’t know how to do this.’ ”

“If you’re a young person and you have the choice between writing and having an experience, have the experience.”

WHO SAID THIS STUFF (in order): Sean McGinty, Shaun David Hutchinson, Peter Rock, McGinty, Rock, McGinty, Patrick DeWitt, Karl Taro Greenfeld, DeWitt, Greenfeld, Dee Dee Myers, Ridley Pearson, Soman Chainani, M.A. Larson, Tahereh Mafi, Larson, Chainani, Mafi, Leigh Ann Henion, Claire Bidwell Smith, Jeff Garvin, Jesse Andrews, Garvin, Don Calame, Aaron Hartzler

What Are You Reading?

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Photo by Petar Milosevic

Spring is here again, and there’s no better way to celebrate than by digging out that old bunny costume from underneath your bed and walking the streets in it smoking a carrot and handing out to random passersby plastic eggs with cryptic messages inside like “Why does Dolly always get to lick the spines on brackish mackerel night?”

Hmmm…not sure where that…

Hey, what’s the SECOND best way to celebrate Spring?

By reading a good book outdoors, of course.

Here’s what I’ve been reading recently under the emergent sun: the stunning allegorical YA novel Challenger Deep, by Neal Shusterman, about a teen’s battle with mental illness; Purity by Jonathan Franzen, about a millennial’s search for herself and her parents’ true identities in a hyper-connected world; and Nothing to Envy, by Barbara Demick, about successful defectors from North Korea who survived its brutal famine of the mid to late 1990’s.

So that’s me, what have YOU been reading these days?

What Are You Reading?

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Photo by Serge Melki

As July slowly but surely starts to brown around the edges, it’s time to catch up with you, my fellow book lovers, and find out what’s been on your reading tables 0f late. As we all know, the most highly anticipated and controversial book this summer is Fudgin’s Doesn’t Not Play Nice, by P.I.X. Gwantonomous. But there’s been so much press and social chatter about it already, I won’t drag us down that rabbit hole.

But how about the second most highly anticipated and controversial book released this summer? Harper Lee’s Go Set A Watchman. Have you read it? Are you going to? I’ve read a few reviews and despite the lukewarm response it still piques my interest. But I’m a little queasy about buying a book that it’s dementia-addled author may have been coerced into publishing. Do I want to finance her exploitation? Am I being too precious about this? You tell me.

Anyway, in the past month I’ve read Ready Player One, by Ernest Cline, and The World According to Garp, by John Irving. Both books are great reads and rather topical; Ready Player One because 1980’s pop culture will never, ever, ever die, and Garp because it includes a zany but honest and humane exploration of a transgender celebrity.

At the moment and in anticipation of my attending the annual SCBWI Summer Conference, I’ve currently got my nose in The Diviners, by Libba Bray. To my knowledge, Ms. Bray isn’t scheduled to be at the conference, but her agent Barry Goldblatt is and I’d really like to talk with him. On the horizon there’s some intriguing nonfiction for me to get to, like Raising Hell: Ken Russell and the Unmaking of The Devils, and H Is For Hawk, by Helen Macdonald.

So that’s my book business, what are you reading these days?

LA Times Festival of Books! Day One

A Day At YALLWEST

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Hard to tell from my crappy photo but yes, the first annual YALLWEST festival was held this past weekend in Santa Monica!

An offshoot of YALLFEST, this was a gathering of high-profile YA and Middle Grade authors, agents and editors coming together to connect directly with fans and to celebrate writing and reading teen literature.

I checked out the festivities on Saturday, attended a few panel discussions, and thought I’d share what struck me at what I hope will become an annual event:

“The first time I read you is probably in an email.”

“A writer should be able to capture the essence of her book in a single, elegant sentence.”

“The toughest times I’ve ever had is when I went against my gut.”

“You can publish anything regardless of what’s trending if the book is great and you can convince your team to believe in it.”

“Are we done with gay teen witches?”

“Publishers want to buy stories they can build on.”

“Writers these days need to engage directly with their readers because their readers expect it.”

“Don’t go to law school.”

“It was called the ‘Taco Bell of books’ ”

“So much of creative success is luck and timing.”

“Every ‘failed’ manuscript made me a better writer.”

“Can you imagine if everyone gave you instant feedback on everything you did every day? You’d never leave the house.”

“Writing is like a Roomba.”

“Writing is like a glass of wine: it makes sense when you start but then it all goes downhill and you should probably just sleep it off and hope that when you wake up it makes sense again.”

“Sometimes I’ll just find myself sobbing outside on the porch.”

“Science fiction and fantasy stories are a great way to talk about the present but with a protective gauze.”

“I can’t write with too much ‘genre’ in mind.”

“Writing is inefficient.”

“The inner voice is raw and impolite.”

“The YA authors I know whose work is banned are the nicest white women.”

“I choose to be ignorant of the people who might be vastly misinterpreting my work on Goodreads.”

“The YA writing community is amazingly tight. It’s a small world.”

“Kids are afraid to be their authentic selves. They think they have to be something they’re not.”

“An administrator once told me they only have ‘2% reduced lunch’ at their school and I’ve come to realize that ‘reduced lunch’ means ‘black.’ ”

“The number one thing that kids need to know: ‘You are not alone.’ ”

“We cannot underestimate the emotional intelligence of teenagers.”

“What we’re trying to do is find a voice in order to show as realistic a portrait of young people as we can. We need to be patient to find that voice.”

WHO SAID THIS STUFF: Richard Abate, Jennifer Besser, Sarah Burnes, Barry Goldblatt, Emily Meehan, Julie Scheina, Erin Stein, Jo Volpe, a smirking teen in the crowd, Brendan Reichs, Melissa de la Cruz, Lisi Harrison, Tahereh Mafi, Veronica Roth, Coe Booth, Greg Neri, Lauren Oliver, Rachel Cohn, Ally Condie, Susan Ee, Ellen Hopkins, Ransom Riggs, Carrie Ryan, Alex Morel, Madeleine Roux, John Corey Whaley, Aaron Hartzler

LA Times Festival of Books 2014 – What Struck Me

Obligatory Halloween Blog Post

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Fahrenheit 451

I love books. As in actual, tangible, printed books. And recently I had the privilege of roaming a particular bookstore spanning an entire city block, a literary mecca four floors high teeming with over a million books standing strong on twelve foot shelves.

Powell’s City of Books, Portland, Oregon. So nice to see you again.

And now, (commencing obligatory Halloween portion) I imagine for a moment this mighty vessel of ideas empty, a dusty, ghostly warehouse where bumps in the night compete with hot, hissing rat droppings; or worse, a space where imagination and creativity once ruled transmogrified into an Urban Home or Duvets Unlimited or wherever the undead mass-consumers converge these days.

Because, apparently, there’s a spooky future out there where the printed book is extinct.

Okay, okay, it’s hyperbole, maybe, but reading this article from Publisher’s Weekly about major publishers rethinking their commitment to printed books took me to a dark place.

As a writer trying to get published traditionally, as in an analog Bryan Hilson book on the shelf in a bricks-and-mortar store, this is not welcome news. There are financial implications as well, which the above article gets into, but here I’m going to approach the issue as a reader.

I’m no technophobe, I’ve got a Nook (and a Kindle, egads!) but to me there are few greater pleasures than losing one’s self inside a bookstore, encountering, picking up, and flipping through paper pages, not your computer/tablet/smart phone’s best approximation of such. Seriously, browsing on the internet is not even close to a real shopping experience. Even at Duvets Unlimited.

How do you feel about this, fellow readers? Are you okay with physical bookstores (and maybe even libraries?) becoming a thing of the past? Do you accept that all things media inevitably will exist solely as digitized goods? Or are you ready to raise up your hardcovers and reading lights in defense of these invaluable institutions?

Some scary things to consider, my friends. Happy Halloween.