Tag Archives: writing

Going Back To The Well

Photo by Lienhard Shulz

Photo by Lienhard Schulz

Last week after finishing the first draft of a new young adult novel I decided to do something different. Usually in these circumstances, after taking a moment to celebrate–helium, trampolines, etc.–I return to another project that’s in a more advanced stage awaiting a rewrite. I do have one of those, but this time, perhaps masochistically (perhaps an oxymoron when it comes to writing), I wanted to face the blank page again.

That this endeavor happens to fall within NaNoWriMo (November is National Novel Writing Month) is a coincidence. I admire all who take on the challenge, but my intent here isn’t to rush to a finish but to dig in and develop something that stretches me creatively. It’s going take some time.

And because I’m not the type of writer who has an IDEAS file, a repository stuffed with the odd narrative strand or character bio or bits of dialogue, this means going back to the well in search of something fresh to set off my imagination.

Which also means convincing my curmudgeonly sidekick Psygor to help get me in and out of the well way out there in the middle of all those cold dark woods. He’s already predisposed to grumpiness so this is really not going to please him; not when he assumed he was done until 2016. It’s going to take a lot of Sanka and moon pies and “yes, stripes do do a fantastic job of concealing  your hunchback” to get him out there.

But as formidable as Psygor’s griping and Sanka-breath are, going back to the well so soon is more daunting. It could be parched. It could be packed with mud. Even if it’s knee-deep in water those things squiggling around my ankles could just be half-formed, exposed-rib entities previously abandoned. But I have to try and hope something new is lurking down there, something alive that’s going to launch me out of my comfort zone.

And if that also includes launching me out of the well hopefully Psygor stops obsessing over his hunchback long enough to catch me.

I’ll wear my puffy clothes just in case.

LA Times Festival of Books! Day Two

Photo by Carolyn Kraft

Photo by Carolyn Kraft

Back again and better late than never with another field report from the LA Times Festival of Books. The magnanimity continued on the second and final day of LATFOB’s 20th anniversary. Well done, folks!

Here’s a few pearls of conversation from the author panels I attended:

“Families are like their own civilizations.”

“A lot of the times I’m writing I feel like an actor; I have to feel the emotions.”

“I had kids smoking, getting drunk, and my editor’s worried about the scene where they aren’t wearing their seatbelts.”

“A writer’s only responsibility is to tell the truth.”

“If I want to know how great I am I call my mother; if I want to know the truth, I call my brother.”

“I’m always taken aback when people [who know I’m a YA author] ask me when I’m going to write a ‘real’ book.”

“People have suggested that hackers and artists are exactly alike.”

“Quality relationships allow for the right amount of solitude and the right amount of connection.”

“The digital revolution has undercut our need for expertise and professionalism.”

“I’m on board with the digital revolution being frightening, but I’m not so nostalgic about what we’re leaving behind.”

“All these media outlets want to ‘pay’ for your writing by promising exposure; exposure is just a way people die out in the cold.”

“Technology is whatever has been invented since you were born.”

“Why can’t we have a platform that actually benefits the people who use it?”

“Every time I hear how I am as a writer I want to rebel against it.”

“Most of what happens to human beings is funny; humor in stories is integral, it’s not a condiment.”

WHO SAID THIS STUFF: Jandy Nelson, David Arnold, Carrie Arcos, Arnold, Robin Benway, Nelson, Vikram Chandra, Joshua Wolf Shenk, Scott Timberg, Chandra, Jacob Silverman, Chandra, Silverman, Amelia Gray, Jonathan Lethem

 

LA Times Festival of Books! Day One

Photo by Carolyn Kraft

One week after a great day at YALLWEST, I was off to the annual LA Times Festival of Books! It was like jumping out of the frying pan and into the fire for those of us who love being burned alive. By books. By writing. By mangling a shopworn adage into a tough leathery bit on which to chomp so as to contain our excitement and not draw the attention of USC Campus Security.

Anyway…

Congrats to LATFOB for celebrating 20 amazing years! Once again it was a privilege to attend, and as always the panel discussions I sat in on were nothing short of compelling and provocative. Did you go? What was the highlight for you?

Here’s a taste of what I heard on Day One:

“I thought I’d like to start a story with someone getting decapitated on a roller coaster, which I did. It’s on page 3.”

“I feel like it’s possible to fall deeply in love while also grieving a great loss.”

“What we remember about the books we love are the characters.”

“I’m an evangelist for fiction.”

“A big part of my writing process is forgiving myself.”

“Write what obsesses you.”

“To be a successful writer you have to be extremely disciplined.”

“Every book is a different labyrinth that somehow I have to get to the center of.”

“How do you learn to write a novel? You read a lot of them and then you write one.”

“I write so much because I’m hyperactive. I have the metabolism of a weasel. I have to eat my body weight every day.”

“There are probably 300 writers in America who make a full-time living from writing.”

“You owe it to yourself to be a big supporter of independent bookstores.”

“We have to practice and behave in the literary world we want to live in. We have to be good literary citizens.”

“I think we’ll look back on this time as a golden age of fiction.”

“I have a weird memory; I remember all of my parents’ license plates.”

“It’s more fun to draw something horrible and ugly.”

New Yorker cartoons are like a magazine within the magazine.”

“People told me that when I went through the process of selling my parents’ house all the questions I had about who they were would be answered. But there was nothing; it was like they were spies.”

“The mistakes and the problems can become the greatest thing in the book.”

“You just have to draw a lot and then eventually you die.”

WHO SAID THIS STUFF: Robyn Schneider, Emery Lord, Meg Wolitzer, T.C. Boyle, Lord, Wolitzer, Sarah Dessen, Lord, Boyle, Boyle, Stephen Morrison, Sandra Dijkstra, Dan Smetanka, Morrison, Roz Chast, Mimi Pond, Bruce Eric Kaplan, Kaplan, Chast

A Day At YALLWEST

YALLWESTHard to tell from my crappy photo but yes, the first annual YALLWEST festival was held this past weekend in Santa Monica!

An offshoot of YALLFEST, this was a gathering of high-profile YA and Middle Grade authors, agents and editors coming together to connect directly with fans and to celebrate writing and reading teen literature.

I checked out the festivities on Saturday, attended a few panel discussions, and thought I’d share what struck me at what I hope will become an annual event:

“The first time I read you is probably in an email.”

“A writer should be able to capture the essence of her book in a single, elegant sentence.”

“The toughest times I’ve ever had is when I went against my gut.”

“You can publish anything regardless of what’s trending if the book is great and you can convince your team to believe in it.”

“Are we done with gay teen witches?”

“Publishers want to buy stories they can build on.”

“Writers these days need to engage directly with their readers because their readers expect it.”

“Don’t go to law school.”

“It was called the ‘Taco Bell of books’ ”

“So much of creative success is luck and timing.”

“Every ‘failed’ manuscript made me a better writer.”

“Can you imagine if everyone gave you instant feedback on everything you did every day? You’d never leave the house.”

“Writing is like a Roomba.”

“Writing is like a glass of wine: it makes sense when you start but then it all goes downhill and you should probably just sleep it off and hope that when you wake up it makes sense again.”

“Sometimes I’ll just find myself sobbing outside on the porch.”

“Science fiction and fantasy stories are a great way to talk about the present but with a protective gauze.”

“I can’t write with too much ‘genre’ in mind.”

“Writing is inefficient.”

“The inner voice is raw and impolite.”

“The YA authors I know whose work is banned are the nicest white women.”

“I choose to be ignorant of the people who might be vastly misinterpreting my work on Goodreads.”

“The YA writing community is amazingly tight. It’s a small world.”

“Kids are afraid to be their authentic selves. They think they have to be something they’re not.”

“An administrator once told me they only have ‘2% reduced lunch’ at their school and I’ve come to realize that ‘reduced lunch’ means ‘black.’ ”

“The number one thing that kids need to know: ‘You are not alone.’ ”

“We cannot underestimate the emotional intelligence of teenagers.”

“What we’re trying to do is find a voice in order to show as realistic a portrait of young people as we can. We need to be patient to find that voice.”

WHO SAID THIS STUFF: Richard Abate, Jennifer Besser, Sarah Burnes, Barry Goldblatt, Emily Meehan, Julie Scheina, Erin Stein, Jo Volpe, a smirking teen in the crowd, Brendan Reichs, Melissa de la Cruz, Lisi Harrison, Tahereh Mafi, Veronica Roth, Coe Booth, Greg Neri, Lauren Oliver, Rachel Cohn, Ally Condie, Susan Ee, Ellen Hopkins, Ransom Riggs, Carrie Ryan, Alex Morel, Madeleine Roux, John Corey Whaley, Aaron Hartzler

 

Spring Writing Prompts

Photo by Benjamin Gimmel

Photo by Benjamin Gimmel

Happy Spring! Or for those of you reading this in the Midwest or on the East Coast, Happy Second Winter!

Well, regardless of the weather outside, have you taken your creative temperature lately? If you’re a writer like me you understand that the “flow” can vary widely, from steady bursts to meager trickles to tipping back your canteen and swallowing a mouthful of desert.

If you’re in a rut and spitting up sand, do what I do and stop what you’re struggling with and write something radically different. Just to goose your juices a little bit and reassure yourself that your creativity is still intact.

Here are a few of my favorite spring-themed writing prompts that never fail to light a fire under my brain and get me back on track. I’d love to hear if any of these help you out. Happy writing!

1. Imagine you’re Peter Cottontail hopping down the bunny trail with another Easter on its way, but this year you’ve got a raging case of genital warts from messing around in Farmer Glen’s radish patch. How will you explain yourself to Mrs. Cottontail?

2. You’re a hitchhiker picked up by two Grinnell College students on their way to Florida for spring break. Even though you have severe gastrointestinal problems you don’t want to disappoint your new friends and not enjoy a burrito and cheap tequila shooters. How’s the last 5 hours of that drive to Cocoa Beach going to go?

3. You’ve been recruited to help your doddering grandmother spring-clean her sweet little cottage by the lake. When you’re alone sweeping up the hall you hear a voice coming from the attic that sounds just like your grandfather who allegedly ran off when you were 9 begging for someone to loosen the screws on his head vise. What’s the rest of your afternoon look like?

4. Write from the POV of a pollen cloud coming of age during the great Hay Fever Festival. What’s it like to learn that you’re essentially the “semen” of the flower world?

5. You’re sixteen now and believe you’re too old to be receiving kites for your birthday, but there you are unwrapping another friggin’ kite and smiling real big just so Aidan Welke doesn’t get his feelings hurt. What might happen if when the cake comes out and everybody starts singing you grab the cutting knife with no intention of using it on the cake?

A Winter Writing Exercise

Photo by Stu Spivack

Photo by Stu Spivack

It’s winter time once again, when the weather often keeps us indoors, and we tend to indulge ourselves a little more than we should. Because, well, because we can’t eat just one package of Oreos while staring contemplatively into a pile of logs aflame in the fireplace, can we? And then throw in the holidays and of course who among us can resist the festive tradition that is letting ourselves go?

We writers are no strangers to this affliction and it’s not only our waistlines that require a watchful eye. Have you seen some of the sentences lumbering about this time of year? In between exercising our bodies we  must also exercise a little creative restraint.

Case in point, take a look at the chunky fellow I’ve written below:

Was it so unusual to keep the head of a snowman alive in his freezer, he wondered, the coal eyes and the carrot nose moldy with frost from 47 days’ age in cold storage, the Scottish plaid scarf around its no-neck as frigid and stiff as his wife when she left to pick the kids up from school and never came back, or was it a cruel world unsympathetic to a traumatic melt thirty years prior—“puh-uh-uhddles, Mommy!”—that had also dissolved the part of his brain that would have, among other things, prevented him from embezzling from his children’s thriving fruity-chews vaccination business to keep building a corncob pipe collection to find the one pipe, the one pipe, Mr. McShivers wouldn’t spit out of the place on his face where presumably his mouth should be?

Whoa. Talk about junk in the trunk. Does one sentence really need to carry all of that weight? Let’s see what happens when we force it to miss a few meals:

Was it so unusual to keep the head of a snowman alive in his freezer, he wondered.

Better than the paleo diet! Trim, concise and still compelling enough to pull you into the next sentence about the coal eyes and the carrot nose. Speaking of coal eyes and a carrot nose, have you ever wondered where the tradition of building a snowman came from? No, you haven’t? Oh, well, never mind, back to the writing exercise and our slim new opening sentence.

Was it so unusual to keep the head of a snowman alive in his freezer, he wondered, the coal eyes and the carrot nose moldy with frost from 47 days’ age in cold storage, the Scottish plaid scarf around its no-neck as frigid and stiff as his wife when she left to pick the kids up from school and never came back, or was it a cruel world unsympathetic to a traumatic melt thirty years prior—“puh-uh-uhddles, Mommy!”—that had also dissolved the part of his brain that would have, among other things, prevented him from embezzling from his children’s thriving fruity-chews vaccination business to keep building a corncob pipe collection to find the one pipe, the one pipe, Mr. McShivers wouldn’t spit out of the place on his face where presumably his mouth should be?

Whoa! What happened? I take my eyes off you for a minute and you’ve ballooned.

Well you said it, you can’t just eat one package of Oreos. And you know the cookies with the Hershey kisses on top? I had about 70 of those. Also, I’m taking my cereal with eggnog these days.

Oh my. How about celery sticks for a snack instead of all those commas? Maybe a light jog around the park to lose that “or” in the middle?

Was it so unusual to keep the head of a snowman alive in his freezer, he wondered, the coal eyes and the carrot nose moldy with frost from 47 days’ age in cold storage, the Scottish plaid scarf around its no-neck as frigid and stiff as his wife when she left to pick the kids up from school and never came back.

Very nice, now you can see your toes without that big old question mark hanging out. By the way, have you ever wondered about the origin of the question

Hey, pass that tub of frosting over here! 

No. Stop it. Put it down. Not with the big spoon!

Was it so unusual to keep the head of a snowman alive in his freezer, he wondered, the coal eyes and the carrot nose moldy with frost from 47 days’ age in cold storage, the Scottish plaid scarf around its no-neck as frigid and stiff as his wife when she left to pick the kids up from school and never came back, or was it a cruel world unsympathetic to a traumatic melt thirty years prior—“puh-uh-uhddles, Mommy!”—that had also dissolved the part of his brain that would have, among other things, prevented him from embezzling from his children’s thriving fruity-chews vaccination business to keep building a corncob pipe collection to find the one pipe, the one pipe, Mr. McShivers wouldn’t spit out of the place on his face where presumably his mouth should be?

Aren’t you at least embarrassed by all the hyphens? You can’t even fasten the top three buttons on your shirt.

You know what? I’m okay with how I look. I’ve got shape, I’ve got rhythm, I feel like a boulder rolling downhill, even though I usually drive. I think I’ve even got room for more words. 

Okay, that’s enough.

How about you make me a nice bacon-wrapped Thesaurus?

(Writing) Exercise over!

Let’s Get Serious

Photo by Ananian

Photo by Ananian

*September fades into October and with it any last traces of the frivolity and mindlessness of summer. We make our last fart noises of the season and then lock away childish things inside the vacation home that is our immaturity. When the temperature drops and the leaves change and Jean-Luc Godard has a new film coming out, the time has come to get serious.

Time to reengage the intellect and flex the brain, challenge ourselves away from the intravenous drip of unreality, from the quick easy morphine shots of J.D. Robb and “Sing Your Face Off.” We are no longer glazed doughnuts passively gazing through the cellophane window of our doughnut box. We are thick, layered pastries out of our cages; we are thinkers and we are brooders; we start using semicolons in our sentences, and that can only mean we are getting very, very serious.

Seriously.

No, really. For example: I’m getting serious and putting on my business hat with one novel and my deep sea diving gear in the creation of another. And of course continuing to work on my treatise concerning the vagaries of quantum foam theory.

How about you? What are you getting serious about this very serious Fall season?

 

*Hooray, we’re back online! BryanHilson.com settled its case with Internet and has been reinstated on the World Wide Web. And all of us here are getting along famously with our new intern, Irwin Chattendale. When he’s not bored with the Kim Kardashian: Hollywood app or writing “Outlander” fan fiction, Irwin makes a mean cinnamon raisin bagel breakfast sandwich. Great to have you aboard, Irwin!

LA Times Festival of Books 2014 – What Struck Me

Photo by Carolyn Kraft

Photo by Carolyn Kraft

Did you make it out to last weekend’s LA Times Festival of Books? Tell me about your experience. Go on. Which booths did you visit, which food trucks? What panels did you see, and how many books did you buy? Me: Upteen booths, zero food trucks, seven panels ranging from YA novels to Goodreads to literary agents to B.J. Novak talking about his debut story collection.

And only ONE book purchased.

Say wha? Yes, that’s correct, one book, but you pack the wallop of five books don’t you,  Tenth of December, by George Saunders.

Anywho, what has become something of a spring tradition here on the blog, I’ve transcribed some of the comments that struck me from this year’s festival author panels, and a few conversational nuggets I picked up while traversing the USC campus. Enjoy:

“Ghost stories often wrestle with very poignant moral questions.”

“I’ve been trying to have a ghost experience for 25 years.”

“What is going on with me at the time I’m writing ends up in the book–as long as it rings true emotionally.”

“Walking plays a key part in my writing process.”

“I read all of my writing to my dog.”

“If you’ve written something that you think is as good as the writers you aspire to be, then it’s probably over for you.”

“As long as we have feelings we have potential for stories.”

“Every book is like starting over every time.”

“If you write every day and read every day, you open yourself up to stories unconsciously and consciously.”

“We can really only read the best stories as a child and adult simultaneously.”

“I don’t want to write stories for children that read like they were written for children.”

“I write books to deal with the problems that I have.”

“I don’t like being labeled ‘YA’. I don’t even know what a ‘Young Adult’ writer is.”

“You told the biggest possible story in the smallest possible way.”

“I write about teenagers; if they choose to read the books that’s great.”

“Getting the reader to love the character is the trick.”

“I didn’t wait until I was an adult to write for teens because I needed the emotional distance; I waited because I needed the skills.”

“Writing is self-seduction and I think it’s important to indulge that.”

“A combination of coffee and shame motivates me.”

“Steven Spielberg said it’s important to make your office the best place in your house so that you’ll always enjoy being there.”

“I’ll just give you my gun and when you find the food trucks fire off a few rounds.”

“Readers are the most sociable folk when they aren’t being antisocial.”

“Genre is the gateway drug to wider literature.”

“Raw denim jeans.”

“There’s a lot more to life than being a writer; being a dedicated reader is a great thing too.”

“A little bit of research goes a long way: an ounce of research can produce half a pound of fiction.”

“I met a writer who wanted to do a book about 1-900 numbers.”

“We want to hold you to your own best standards.”

Who said this stuff: John Boyne; Ransom Riggs; Francesca Lia Block; Jonathan Auxier; E. Lockhart; Rainbow Rowell; John Corey Whaley; Andrew Smith; B.J. Novak; a hungry, frustrated cop; Patrick Brown; David Kipen; Michelle Meyering; Betsy Amster; T. Jefferson Parker

The Writing Life Is Not The Retired Life

Photo by Angela George

Photo by Angela George

Recovered memory in 5, 4, 3, 2, 1…he said what?!

You kind of know me by now, right? Hopefully well enough to agree I’m not given to using this platform to launch self-righteous rants into the social media stratosphere. But this…this…trauma buried so deep until I saw an AARP commercial a few days ago…

Suffice to say if I had a craw (okay, we’ve all got craws that extend and retract-just give me a reason!) this comment from an otherwise affable fellow I met at a Christmas party last year would be nigh impossible for even a crawbar to remove:

“You’re a writer? Oh, that’s just like being retired.”

Um, excuse me?

Oh, I see, you’re saying writing isn’t real work. Writing is shuffleboard on a cruise ship. Putting “affable” and “nigh” in the same sentence comes as easily as stuffing one’s face with Fritos watching reruns of “Criminal Minds” on TNT. (Retired people do that don’t they?)

Let me be clear: This isn’t a diatribe against retired people. I love retired people. But what that (recently retired) guy did, this reflexive move to equate writing with leisure activity, is something I’ve heard too many times and it just burns me up.

Writing can be done for leisure, it can be a hobby, but when pursued seriously requires as much if not more focus, determination, perseverance than any “real” job. Yes, it may appear illegitimate because it can be accomplished while wearing pajamas and often resembles staring blankly into space, but trust me and all the fingernails I’ve chewed down to the nubs, writing is a demanding vocation.

Now if you’ll excuse me I’ve got to go see a craw doctor so I can get back to my lawn bowling–I mean my manuscript.

Flash Fiction Contest: We Have A Winner!

Photo by Billy Hathorn

June’s Flash Fiction Contest came to an end yesterday, and after luring our judges into a closed-door session I sneaked off with the submissions and ultimately chose Scott Ritchie’s ominous (or pleasantly surprising, depending on your point of view) interpretation of our theme “Happy Returns.”

Here’s Scott’s story:

He had seen the letter addressed to him was odd, even before he opened it. Now, there was no doubt that its page was more fabric than paper; coarse, scented and gilded with a single line of glowing script that read, “Dear Dad, I am happy to report I arrived safely and will not tell Mom about the organ transplant.” It caused him to shudder, for he had no children, was not married, and yet here was clearly an abdominal scar where there was none before.

Congratulations, Scott!

Now, as promised, your prize, a glowing three-sentence tribute to the majesty of you. Here goes:

When Scott Ritchie isn’t winning flash fiction contests he’s traveling the country defending his record for most pancake house fires survived (15 as of this writing). Scott Ritchie can dance flawlessly to the rhythm of a clock’s second hand while knee-high in a tub of molasses. When Scott Ritchie sees colors he’s simultaneously seeing them in the billion different ways the earth’s entire human population sees colors.

As evidenced here, Scott Ritchie is certainly someone worth getting to know.

Thank you to everyone who participated in this round, hope you had a good time. Look for another flash fiction contest as soon as I find the key to that room those judges are locked inside.