Category Archives: For The Love Of Books

A Day At YALLWEST

YALLWESTHard to tell from my crappy photo but yes, the first annual YALLWEST festival was held this past weekend in Santa Monica!

An offshoot of YALLFEST, this was a gathering of high-profile YA and Middle Grade authors, agents and editors coming together to connect directly with fans and to celebrate writing and reading teen literature.

I checked out the festivities on Saturday, attended a few panel discussions, and thought I’d share what struck me at what I hope will become an annual event:

“The first time I read you is probably in an email.”

“A writer should be able to capture the essence of her book in a single, elegant sentence.”

“The toughest times I’ve ever had is when I went against my gut.”

“You can publish anything regardless of what’s trending if the book is great and you can convince your team to believe in it.”

“Are we done with gay teen witches?”

“Publishers want to buy stories they can build on.”

“Writers these days need to engage directly with their readers because their readers expect it.”

“Don’t go to law school.”

“It was called the ‘Taco Bell of books’ ”

“So much of creative success is luck and timing.”

“Every ‘failed’ manuscript made me a better writer.”

“Can you imagine if everyone gave you instant feedback on everything you did every day? You’d never leave the house.”

“Writing is like a Roomba.”

“Writing is like a glass of wine: it makes sense when you start but then it all goes downhill and you should probably just sleep it off and hope that when you wake up it makes sense again.”

“Sometimes I’ll just find myself sobbing outside on the porch.”

“Science fiction and fantasy stories are a great way to talk about the present but with a protective gauze.”

“I can’t write with too much ‘genre’ in mind.”

“Writing is inefficient.”

“The inner voice is raw and impolite.”

“The YA authors I know whose work is banned are the nicest white women.”

“I choose to be ignorant of the people who might be vastly misinterpreting my work on Goodreads.”

“The YA writing community is amazingly tight. It’s a small world.”

“Kids are afraid to be their authentic selves. They think they have to be something they’re not.”

“An administrator once told me they only have ‘2% reduced lunch’ at their school and I’ve come to realize that ‘reduced lunch’ means ‘black.’ ”

“The number one thing that kids need to know: ‘You are not alone.’ ”

“We cannot underestimate the emotional intelligence of teenagers.”

“What we’re trying to do is find a voice in order to show as realistic a portrait of young people as we can. We need to be patient to find that voice.”

WHO SAID THIS STUFF: Richard Abate, Jennifer Besser, Sarah Burnes, Barry Goldblatt, Emily Meehan, Julie Scheina, Erin Stein, Jo Volpe, a smirking teen in the crowd, Brendan Reichs, Melissa de la Cruz, Lisi Harrison, Tahereh Mafi, Veronica Roth, Coe Booth, Greg Neri, Lauren Oliver, Rachel Cohn, Ally Condie, Susan Ee, Ellen Hopkins, Ransom Riggs, Carrie Ryan, Alex Morel, Madeleine Roux, John Corey Whaley, Aaron Hartzler

 

LA Times Festival of Books 2014 – What Struck Me

Photo by Carolyn Kraft

Photo by Carolyn Kraft

Did you make it out to last weekend’s LA Times Festival of Books? Tell me about your experience. Go on. Which booths did you visit, which food trucks? What panels did you see, and how many books did you buy? Me: Upteen booths, zero food trucks, seven panels ranging from YA novels to Goodreads to literary agents to B.J. Novak talking about his debut story collection.

And only ONE book purchased.

Say wha? Yes, that’s correct, one book, but you pack the wallop of five books don’t you,  Tenth of December, by George Saunders.

Anywho, what has become something of a spring tradition here on the blog, I’ve transcribed some of the comments that struck me from this year’s festival author panels, and a few conversational nuggets I picked up while traversing the USC campus. Enjoy:

“Ghost stories often wrestle with very poignant moral questions.”

“I’ve been trying to have a ghost experience for 25 years.”

“What is going on with me at the time I’m writing ends up in the book–as long as it rings true emotionally.”

“Walking plays a key part in my writing process.”

“I read all of my writing to my dog.”

“If you’ve written something that you think is as good as the writers you aspire to be, then it’s probably over for you.”

“As long as we have feelings we have potential for stories.”

“Every book is like starting over every time.”

“If you write every day and read every day, you open yourself up to stories unconsciously and consciously.”

“We can really only read the best stories as a child and adult simultaneously.”

“I don’t want to write stories for children that read like they were written for children.”

“I write books to deal with the problems that I have.”

“I don’t like being labeled ‘YA’. I don’t even know what a ‘Young Adult’ writer is.”

“You told the biggest possible story in the smallest possible way.”

“I write about teenagers; if they choose to read the books that’s great.”

“Getting the reader to love the character is the trick.”

“I didn’t wait until I was an adult to write for teens because I needed the emotional distance; I waited because I needed the skills.”

“Writing is self-seduction and I think it’s important to indulge that.”

“A combination of coffee and shame motivates me.”

“Steven Spielberg said it’s important to make your office the best place in your house so that you’ll always enjoy being there.”

“I’ll just give you my gun and when you find the food trucks fire off a few rounds.”

“Readers are the most sociable folk when they aren’t being antisocial.”

“Genre is the gateway drug to wider literature.”

“Raw denim jeans.”

“There’s a lot more to life than being a writer; being a dedicated reader is a great thing too.”

“A little bit of research goes a long way: an ounce of research can produce half a pound of fiction.”

“I met a writer who wanted to do a book about 1-900 numbers.”

“We want to hold you to your own best standards.”

Who said this stuff: John Boyne; Ransom Riggs; Francesca Lia Block; Jonathan Auxier; E. Lockhart; Rainbow Rowell; John Corey Whaley; Andrew Smith; B.J. Novak; a hungry, frustrated cop; Patrick Brown; David Kipen; Michelle Meyering; Betsy Amster; T. Jefferson Parker

Obligatory Halloween Blog Post

Fahrenheit 451

Fahrenheit 451

I love books. As in actual, tangible, printed books. And recently I had the privilege of roaming a particular bookstore spanning an entire city block, a literary mecca four floors high teeming with over a million books standing strong on twelve foot shelves.

Powell’s City of Books, Portland, Oregon. So nice to see you again.

And now, (commencing obligatory Halloween portion) I imagine for a moment this mighty vessel of ideas empty, a dusty, ghostly warehouse where bumps in the night compete with hot, hissing rat droppings; or worse, a space where imagination and creativity once ruled transmogrified into an Urban Home or Duvets Unlimited or wherever the undead mass-consumers converge these days.

Because, apparently, there’s a spooky future out there where the printed book is extinct.

Okay, okay, it’s hyperbole, maybe, but reading this article from Publisher’s Weekly about major publishers rethinking their commitment to printed books took me to a dark place.

As a writer trying to get published traditionally, as in an analog Bryan Hilson book on the shelf in a bricks-and-mortar store, this is not welcome news. There are financial implications as well, which the above article gets into, but here I’m going to approach the issue as a reader.

I’m no technophobe, I’ve got a Nook (and a Kindle, egads!) but to me there are few greater pleasures than losing one’s self inside a bookstore, encountering, picking up, and flipping through paper pages, not your computer/tablet/smart phone’s best approximation of such. Seriously, browsing on the internet is not even close to a real shopping experience. Even at Duvets Unlimited.

How do you feel about this, fellow readers? Are you okay with physical bookstores (and maybe even libraries?) becoming a thing of the past? Do you accept that all things media inevitably will exist solely as digitized goods? Or are you ready to raise up your hardcovers and reading lights in defense of these invaluable institutions?

Some scary things to consider, my friends. Happy Halloween.

What Are You Reading?

Although not as exciting as lurking outside your windows and occasionally peeking in to see what you’re reading, it’s easier to just put the question to you in blog form. So here goes: What are you reading these days? Fiction, non-fiction, biography, memoir, comics, tech manuals, graffiti, tea leaves?

While you think about it, here’s what I’m reading at the moment: This Wheel’s On Fire: Levon Helm and the Story of the Band by Levon Helm with Stephen Davis, Mark Haddon’s The Curious Incident of the Dog In the Night-timeCanada by Richard Ford, and last but not least, Putting Circles Into Squares For Dummies, by Advarious Starch. I imagine most of you also have a few books going at the same time. A different book for a different mood, right? Sometimes I’m dreaming about Canada and sometimes about setting wheels on fire.

Are you looking forward to any upcoming releases this fall? I am. Stephen King’s Doctor Sleep, Thomas Pynchon’s Bleeding Edge, The Goldfinch by Donna Tartt, Salinger by Shane Salerno and David Shields (in support of the Salinger documentary coming out next month, which also looks pretty enticing) and of course, Funk in the Trunk: A Mongoose Fingus Mystery, by Tiara Loo.

So then, pretend I’ve got my nose pressed up against the glass outside your reading room while you’re curled up in your favorite chair, lost in a good book. What titles would I see in there before you call the police?

Festival of Books 2013 – What Struck Me Part 2

 

Photo by Carolyn Kraft

Photo by Carolyn Kraft

That’s right, the Los Angeles Times Festival of Books is simply too magnanimous to contain itself to one day. Did you go? What struck you about the event? Here’s the writerly wisdom and wit I collected on Day 2, with a few snippets of conversation I couldn’t help but overhear:

“When I get drunk I get more affectionate.”

“Writing is very intuitive. Sometimes we know something’s wrong in a story but not how to fix it.”

“An influential pastor in Princeton, New Jersey circa 1905 once said ‘We do not entertain any new ideas here.'”

“Theodore Roosevelt was often considered a traitor to his class–meaning he wasn’t a bigot.”

“She went to his wedding even while she has having an affair with him.”

“Genre writing is pleasing for a literary writer.”

“Historical fiction is always about the present as well as the past.”

“Literature is a way of evoking sympathy.”

“Writing is crystallized improvisation.”

“When I say books you say books! Books! Books!  Books! Books!”

“It’s important that the reader doesn’t know everything about the character but suspects that the author does.”

“When I say past you say tense. Past! Tense! Past! Tense!

“I’m into being interesting.”

“When I say Voyage of the Dawn Treader you say C.S. Lewis. Voyage of the Dawn Treader!…”

“Kurt Vonnegut is the original YA author.”

“I started writing at 7 or 8 years old and I was awesome. All of my sexy vampire stories were published under the pseudonym ‘Anne Rice.'”

“That sounds like diarrhea.”

“Books on writing make the invisible visible.”

“There’s always more to say about verbs.”

“Bad writing reveals what we don’t know.”

“The way writing is taught in the U.S. is completely wrong-headed.”

“The drama comes from the verb choice.”

“Recognizing your own habits and upending them is very refreshing.”

“As soon as I get comfortable with a draft, I must get suspicious of it.”

Progenitors of the quotes above include: two women sitting behind me in the Bovard Auditorium; woman in the shade near the YA Stage; Joyce Carol Oates; D.C. Pierson; Sean Beaudoin; Elizabeth Eulberg; Amy Spalding; Thomas Curwen; Constance Hale; Ben Yagoda

Festival of Books 2013 – What Struck Me Part 1

 

Photo by Carolyn Kraft

Photo by Carolyn Kraft

The Los Angeles Times Festival of Books is always a great time, and this past weekend’s event did not disappoint. And how could it, really, with two full days on the beautiful USC campus where books and authors reigned supreme?

If you were there I’d love to hear about your experience. In the meantime, here’s a sampling of what struck me from Day 1’s author panels and, in a few instances, my own casual eavesdropping on some unsuspecting festival-goers:

“The music of the writing has to marry the story being told.”

“It’s a fun challenge to describe something from another art form.”

“Hell yes it’s an antiwar novel!”

“There’s a reason why 19-year olds are crazy. Whipsawed between raging hormones and the most profound existential questions in life.”

“My process is creative floundering. With this kind of work we have to create our own problems. That’s why writers are crazy.”

“I went nuclear on my publisher not to have a headless woman on the cover.”

“You shouldn’t be taken less seriously as writer because of your gender.”

“Endings are hard. There’s a significant amount of psychological pressure when you don’t know how the novel is going to end. But it’s also thrilling.”

“Flannery O’Connor said that she liked a story that was like a sandwich she eats on a Thursday and makes her sick on a Saturday. It’s got to stay with you.”

“There is no time in the psychological.”

“When you’re looking for feedback on something you need a reader who will accept the story on its own terms, who won’t try to impose on it their idea of what a story should be.”

“Stuff: In the end it doesn’t mean anything.”

“The only you fail to make something better is by not trying.”

“We can’t help but remake ourselves constantly. Have to really work at being stuck.”

“Fortune-telling: Sometimes we want to invest someone with the authority to tell us what we already know.”

“You never know what in your life you’re going to use in a book.”

“Characters who are omnipotent ruin the hell out of your plot.”

“I like to be the writer, the reader, and the character simultaneously.”

“Isabel Allende said writing is lonely; it’s the response that reconnects you to the world.”

“You can visit a country by reading its folktales.”

“Why did they give the new Star Wars movie to J.J. Abrams? I know exactly what that movie is going to be, I don’t need to see it. They should have given it to someone like Eli Roth to direct.”

“The idea that terrifies you the most, that’s the story to write.”

“Writing is not a choice. It’s like I have no choice but to write.”

“Michael Bay is actually our greatest independent director.”

“A writer has to be willing to torture his characters.”

“A story is like a piano: a finite number of keys but an infinite number of melodies.”

“Writer’s block is really just the critical voice overwhelming the creative voice.”

Those quoted above include: a group of gently snarky USC students; Janet Fitch; Ben Fountain; Lauren Groff; Elizabeth Berg; Amity Gaige; Nalo Hopkinson; Gennifer Albin; Mark Frost; Cornelia Funke; Lauren Oliver; Lissa Price; Veronica Roth; Victoria Schwab

 

Becoming A Literary Character

SlaughterHouse5, Dresden, Photo by Keith Gard

SlaughterHouse5, Dresden, Photo by Keith Gard

The occasion: A good friend and fellow book-lover is turning 40 next weekend and he and his wife are hosting a birthday party wherein the guests are required to come dressed as their favorite literary characters. My first thought was, well, I’ll just come as myself because aren’t we all as we are just characters acting in our own private narratives? But this overcooked philosophy might be seen as a narcissistic cop out and I’ve already pledged to my doctors I’d keep those to a minimum this year.

So who should I turn into this weekend?

Maybe Tom Ripley, nattily dressed in stolen clothes, carrying a bloody broken oar and convincing everyone that Dickie Greenleaf is still alive, he just can’t bear to see anyone right now? Or what about Olympia Binewski, the albino hunchbacked dwarf from Geek Love, scheming to protect her daughter from the exploitative Miss Mary Lick?

No, it’s got to be Billy Pilgrim from Kurt Vonnegut’s Slaughterhouse-Five. But how to convey the sense that I’ve come unstuck in time? Basically, the novel jumps around in Billy’s life as a prisoner of war in WWII, an optometrist in Ilium, New York, and a human creature on display in a zoo on the planet Tralfamadore. The trick is to find articles of clothing or other elements representative of these moments and then find a way (with either duct tape or Velcro) to stick them on and tear off at random times during the party.

Potential roadblock: Billy Pilgrim is naked while on Tralfamadore. Would my being true to the book break the hosts’ no gift rule?

Potential solution: Represent the planet Tralfamadore by recreating a Tralfamadorian, described in the book as: “…two feet high and green and shaped like plumber’s friends. Their suction cups were on the ground, and their shafts…were usually pointed to the sky. At the top of each shaft was a little hand with a green eye in its palm.”

I believe you can buy a Tralfamordian at any Walmart. KV would be so proud.

Okay, so while I put together my outfit let’s pretend you’re going to this party. Who among your favorite literary characters would you go as and how would you dress?

What Are You Reading?

Photo by Lienhard Schulz

First let’s take a moment to share a collective gasp over the stunning fact that we’re already seven months into the year 2012. What happened? And why so fast?

Well, what better way to cauterize the pain as we stagger into these remaining dog days than a discussion about what you’ve read this summer so far and what you’re looking forward to reading in the Fall. Are your reading habits different depending on the season? Do you reserve your guilty pleasures for Memorial Day through Labor Day Weekend? I.E., are you chained, right now, literally, to the Fifty Shades of Grey trilogy? Has this been your Summer of S&M, and come September 5th you’ll be wrapping the naughty books up in your white clothes and burying everything in the backyard?

While I haven’t had the pleasure, guilty or otherwise, of reading Fifty Shades, I wouldn’t save it for the summer. I pretty much read whatever no matter the time of year. Although I tend to stick exclusively with literary fiction, I changed things up recently and read Mark Haskell Smith’s Heart of Dankness, a riveting narrative nonfiction work exploring the Cannabis Cup in Amsterdam and the medical marijuana industry in California. Then I dove into John le Carre’s spy-thriller Tinker, Tailor, Soldier, Spy before returning to familiar ground with Jonathan Franzen’s latest “how we live now” novel Freedom. Next up was the YA novel Dark Eden by Patrick Carman, about a group of kids involved in a therapeutic experiment of questionable ethics, and am now currently reading A Visit From The Goon Squad by Jennifer Egan, which won the Pulitzer Prize for fiction in 2011.

This Fall I’m looking forward to Ian McEwan’s Sweet Tooth, Antoine Wilson’s Panorama City (by the way, I also recommend you check out his first novel, The Interloper) and Barbara Kingsolver’s Flight Behavior.

So what have you read this summer, what are you reading now, and what are you looking forward to in the coming Autumn months?

Secondhand Bookstores

In a post last week I asked what you wanted from this blog, and a few of you were kind enough to answer.  To St. Tracy, my first responder, I must say I’m still interviewing potential candidates to serve as both maid and cook for your household so you’ll have more free time to frequent my website. The next qualifying round is a cat-juggling contest, an underrated skill I know you value highly in your domestic workers.

My second responder, John, wondered if I might do profiles on famous writers who also happened to be squirrels. To which I say I’d love to, however, convincing a squirrel writer to take the cigar out of its mouth long enough to say anything on the record is near impossible. So no go, unfortunately.

But John also suggested I write about some of my favorite secondhand bookstores, and that’s a request I can fulfill immediately and with great pleasure. It so happens that my wife and I spent a recent Saturday on a used bookstore tour of North Hollywood, Los Angeles, and Simi Valley, the latter city (in case you don’t live in Southern CA) exists in the southeastern corner of Ventura County and is not just the home of the Ronald Reagan Presidential Library.

No, it’s also where you can find the amazing $5 Or Less Book Store. Nestled in the middle of a bland strip mall like a diamond in the rough, this place is 10,000 square feet of printed-page bliss (and also used CDs and DVDs a’plenty). Every genre of book is represented, but I usually hang out in the literary/commercial fiction section, which in the two times we’ve been there has been well stocked with exciting finds in really good condition. And get this, the hardcovers are $5 and the paperbacks are only $2. Easy to get carried away here, and as happens to me in any secondhand bookstore, the low prices are a compelling reason to take a chance on authors I’ve never read. In that respect, I picked up A Prayer for the Dying by Stewart O’Nan and The Tiger’s Wife by Tea Obreht, as well as Castle by J. Robert Lennon. I also found myself drifting over to the DVD section and unable to stop myself from purchasing Footloose (the original version from 1984), because there’s nothing like watching Kevin Bacon dance out his angst over the narrow-minded pop-culturally paranoid denizens of small-town America.

Our next stop on the tour was the Iliad Bookshop, a sparkling gem in the industrial funk of North Hollywood, which specializes in Literature and the Arts. This is what it looks like inside:

Don’t let the empty shelves fool you. They’re all usually filled to capacity, and on the recent Saturday we were there they had overflow books in several stacks on the floor and packed tightly together on rolling carts. The Iliad also features, hands-down, the cleanest and grandest customer bathroom you’ve ever seen. Sadly, I don’t have a picture of it, but really it’s a place you just have to spend some time in to fully appreciate its grandeur. The store itself is great fun, especially for a literature geek like myself, a place to slowly shuffle the creaky wooden floor, aisle after aisle, getting lost in the meditative experience that is book browsing. It is transcendent.  Very reasonable prices here too and most of the books are in fine condition.  Picked up Godless by Pete Hautman, and the Joseph Heller biography Just One Catch, by Tracy Daugherty (hardcover, pristine condition, only $10).

Our final stop on the tour was The Last Bookstore in downtown Los Angeles. The experience to be had here is almost more about the space and atmosphere–towering ceilings, marble columns, art objects made from books, hipster soundtrack–than it is the books (though they do have a solid selection of both new and used titles). They also host readings, musical performances and even how-to seminars on bookbinding and apartment gardening. Did I mention the hipster soundtrack? Anywho, they also have a dark and dank upstairs area that’s like a cool secret attic to creep around in and pluck out a surprise title, all for $1 each.  While up there I snagged a well-cared-for hardcover copy of T. Jefferson Parker’s Iron River, and on the main floor I picked up The Dog of the South by Charles Portis, The Ecstasy Business by Richard Condon, and a grungy version of One Flew Over the Cuckoo’s Nest with “non-reliable narrator” scrawled in pencil on page one. I couldn’t resist.

So there you have it. These three stores are but a small sampling of the many others dotting Los Angeles and its outlying areas. A few others I’d heartily recommend: Libros Schmibros in Boyle Heights; Brand Bookshop and the Mystery and Imagination Bookshop, both on Brand Blvd. in Glendale and literally across the street from each other.

Do you have a favorite secondhand bookstore? Here in California, or wherever you live out there in the world? I’d love to hear about where you go to indulge your habit.

LATFOB – What Stuck With Me Part 2

Photo by Carolyn Kraft

“Fiction is like a trust fall. Sometimes the story catches you and sometimes it doesn’t…and you wake up with a bump on your head.”

“Why is calling something realistic a compliment? Just because something’s realistic doesn’t mean it’s true.”

“Everything that talks about the human situation is political.”

“The point of every story is that there are two sides of things, both good and bad, optimistic and pessimistic.”

“I tend to write when I’m upset about something.”

“I spent fifteen hours on a plane to Argentina with a fat German next to me who farted the entire time.”

“Freeze your jeans. Kills the germs from farting.”

“Eventually every Wikipedia article leads to squid.”

“The Internet is a terrible distraction for writers.”

“Starting is just about writing sentences, collecting voices. Need to be comfortable being in the dark.”

“People really want short stories. They buy novels, but really they don’t want them.”

“Reading a work in translation is like kissing someone through a handkerchief…which does have a kinky charm to it.”

“Robert Louis Stevenson based the character of Long John Silver on a friend with all of his finer qualities removed.”

“Fiction is the exploration of the self in the world.”

“All of us are many people and writing is a way to expose our other personalities.”

“You know who’s got great beer? The Czech Republic. You should go there.”

“I write with the feeling that the book could go anywhere, that the whole premise could change in the middle of a sentence.”

“Form is what makes fiction transcendent.”

“As Robert Frost wrote, ‘No surprise for the writer, no surprise for the reader.'”

“Does reading have to be a totally immersive experience? Can’t it be ‘I like this story/I like this sentence.’?”

“I like transparency in art, the idea of knowing that this was created by someone. Jackson Pollack included his own detritus in his paintings: tobacco, dirt, lint. It’s nice to feel like you’re interacting with the creation of the work.”

“There’s this whole idea of momentum in modern fiction, that the  writer has to pick a reader up and carry him or her forward and then drop them off at a certain point, unchanged, probably, at the most a bit breathless and flushed.”

 

The preceding witticisms and wisdom were recorded on a miniature yellow notebook on Sunday April 22 at the Los Angeles Times Festival of Books. The purveyors of said perspicacity were an anonymous festival-goer and the following authors: Etgar Keret, Sara Levine, Ben Loory, Amelia Gray, Elizabeth Crane, Ben Ehrenreich, Mark Leyner, and Aimee Bender.