“Ensnared” – Illustration by Scott Ritchie
The recent tragic events in Aurora, Colorado and both their apparent and alleged link to the most recent Batman films spurred me to reflect on the use of violence in my own writing, as well as what my responsibility is as the creator of such elements and images in my stories.
First and foremost, I believe in the First Amendment and that the duty of any artist is to avoid self-censorship and be unsparingly honest in his work, whatever the subject matter or medium. Personally, I do tend to explore the darker side of humanity in my writing, mostly expressed through psychological terror, or emotional violence, but also occasionally through the depiction of physical acts of violence. Should I be concerned that a reader or audience member after reading or viewing something I’ve written will personalize and pervert it, use my imagination as inspiration to commit a heinous act?
If I worry about that, I’m already censoring myself and the work suffers.
Nature vs. Nurture. Does violence in books, film, art, video games, etc. turn seemingly normal, everyday people into sociopaths or psychopaths? I say no. Perhaps I’m more concerned that its ubiquity in our popular culture is having the opposite effect: desensitizing us to the point where we simply shrug our shoulders after reading about tragic and senseless death that occurs in the real world.
I have a choice. I have free will. I can write about anything I choose, so why do I choose to depict violence in my stories at all? What about it attracts me? Well, in the spirit of free speech there is, admittedly, and I know I’m not alone here, a small part of me motivated by an exhibitionist impulse to shock or elicit an emotional reaction from people via my somewhat twisted imagination.
And I am intrigued by the dark pocket I believe exists in each of us, the contents of which we’re secretly (and not so secretly) titillated by: the things that frighten us or seem most prurient to our more surface, public sensibilities. But it’s quite healthy, necessary even, to dip into this pocket and bring the darkness up into consciousness through creative expression.
What has suppression ever done but create walking talking powder kegs?
To be clear, I’m not interested in putting purely exploitative material out into the world, the only purpose of which is to debase and disgust. No thank you. I want to be provocative, yes, but in the pursuit of something with a point of view, where substance and style can achieve equilibrium.
In regard to violence (again, both physical and emotional), I feel a need to examine the act and its perpetrators in an attempt to understand why we behave the way we do, why we hurt each other, and to shine a light on the damage and the cost inflicted. The nature vs. nurture debate when it comes to violence can be spun into so many various and fascinating narratives, and ultimately the end result I’m striving for is a confluence of the thoughtful, unflinching, entertaining, and often uncomfortably humorous.
Sometimes the results of my “investigations” are ambiguous because there aren’t any clear, obvious answers. And some of the best writing doesn’t provide answers, but rather inspires more questions. But that doesn’t mean I’m hiding behind fiction or afraid to assert an opinion. There are artists who are not compelled to explain or defend their work, but if so challenged I will stand behind anything I’ve created and enter into any reasonable debate about its merit, about its right to exist.
I’m curious to hear from other writers, readers, filmmakers, filmgoers, artists and consumers of art in general. What’s your opinion on violence in the arts, the impact it has on our society, and the responsibility of the artist?
