Tag Archives: LA TImes

LOOK MA, I’M BLOGGING AGAIN, OR THE 30TH LA TIMES FESTIVAL OF BOOKS MADE ME DO IT

Hey, so, how long’s it been since we’ve seen each other (because your screen is actually a two-way mirror)? A year? Two years? No doubt there’s a lot to catch up on, I mean, I have a kid in college now.

Clown college.

And he’s not my kid, he’s just someone I’ve paid to be on the inside–you know, for squirting-flower intel and floppy shoe discounts.

Anywho, I’m back because the Los Angeles Times Festival Of Books just celebrated its 30th anniversary and I’m proud to say I’ve been to at least 22 1/3 of them (I was overserved some Joyce back in 2006 and was “aggressively invited” to leave early.)

As was my tradition back in the salad days of blogging, today I’m posting some of the many writerly nuggets I heard during the two day event. If you can, read these while imagining you were as lucky as me to come upon a trio of small children at the fest’s Kids Area playing “Eye of the Tiger” on kazoos. That’s a true story.

“Every book I’ve ever written is about liars.”

“The greatest suspense stories are the ones where the protagonist sets out to solve a mystery and the mystery is them.”

“When we start penalizing people for trying [to write outside their lived experience], that’s when we have a problem.”

“Bruce Sterling said, ‘Cyberpunk is sci-fi about people who couldn’t afford spaceships.'”

“Sometimes when you’re granted your dream it can be great–but it can also be fraught.”

“People didn’t get into publishing to make money; they do it because they love books. They want to keep books alive.”

“My protagonist is a conscientious bastard.”

“It costs something to stand out and to fit in.”

[Re getting a bad review] “The heart has already been broken long before the book comes out.”

“The broader goal here is to get people to stop lying about everything.”

“The best part of storytelling is being human on the page.”

“Gen-Xers were reading ‘Flowers In The Attic’ in second grade and it was okay–now, parents are trying to ban everything.”

“Feelings don’t change from when you’re 12 years old to when you’re 50.”

“99% of women suffering [from] post-partum psychosis believe they are saving their kids when they’re actually killing them.”

“Immunity breeds impunity.”

“We can’t afford the ‘news is too upsetting’ mindset.”

“What we sacrifice with efficiency [in AI] is struggle. Struggle is how we learn. AI can create cognitive laziness.”

“I don’t think we have the right to ask people for forgiveness. All we can do is apologize.”

[America] has a ‘rise and grind’ mentality.”

“You can’t wait for it to get easier to jump into your life.”

“7th grade is where you find out how cruel you can be and still live with yourself.”

“I write because I have to, and I don’t know why I have to, like most diseases.”

“We look for meaning in stories the same way we look for meaning in a stranger’s medicine cabinet.”

“Art and politics are inextricably linked, If [politics] are absent, that is a political statement.”

“It’s exciting to make art and for people to tell me what they see.”

Who Said This Stuff: Jean Hanf Korelitz; Cory O’Brien; Alex Segura; Bruce Sterling; Natashia Deon; Joseph Earl Thomas; Dan Santat; Lisi Harrison; Jonathan Alter; Erwin Chemerinsky; Steven J. Aguilar; Gayle Forman; Sarah Enni; Leah Stecher; Jacquie Walters; Percival Everett

What I Heard At The LA Times Festival Of Books!

Photo by Carolyn Kraft

It is a blessing the doctors were able to replace my ears in time for this year’s Los Angeles Times Festival of Books. I’ll never fall asleep in a lawn care store again, let me tell you.

Anywho, this past weekend the LATFOB was held once again at the glamorous USC campus and was a treasure trove for authors and readers alike. I checked it out on both Saturday and Sunday, and the gauze was just breathable enough to let in many an insight and observation, as well as several nuggets of wisdom. Here is a smattering of what I heard:

“Authors are the brand, not the publishers.”

“The intimacy between book and reader is part of every aspect of the industry.”

“An editor’s job is to connect the writer and the reader. Editors are sometimes guilty of not thinking about that.”

“Staying respectful is very hard to do on the internet.”

“Before Amazon, it was Barnes & Noble and Borders as the behemoths [accused of] crushing the industry, and now it’s like ‘please Barnes & Noble, please stick around!’ ”

“Someone told me that you’re only allowed one dream sequence in your career, and I’ve just blown my load in this new book.”

“I don’t remember my dreams, but for some reason people always tell me theirs…so I steal them.”

“Anyone who looks at the world, if you’re not writing horror stories, what are you doing?”

“I push back against the label ‘literary’ horror. It sounds like, ‘we like you but not your friend.’ ”

[Regarding writing] “There is no way you can escape the work.”

“Elevators are the physical manifestation of a traumatized mind.”

Photo by Carolyn Kraft

“Every story should start a chapter late and end a chapter early.”

“A fellow writer once described my book as this beautiful bonbon that when you bite into it oozes puss and maggots.”

[Regarding technology] “We tend to believe that we can make it, but not always should we make it.”

“Young people don’t have the opportunity to be bored anymore.”

“I believe there is a creative energy that connects our hearts to each other.”

“I have a blood splatter library.”

“As a Nigerian-American, you have four career options: Doctor, lawyer, engineer, disgrace to the family.”

“It is the insecurity of our parents that stifles our children.”

“Listening keeps my writing fresh.”

“You find out at 15 that you don’t have much control over what happens to you. But you do have control over how you react to it.”

“Excellence is a habit.”

 

WHO SAID THIS STUFF: Carolyn Kellogg; Betty Amster; Peter Ginna; Glory Edim; Ginna; Carmen Maria Machado; Victor LaValle; Ben Loory; LaValle; Jason Reynolds; Reynolds; Reynolds; Dhonielle Clayton; Marie Lu; Reynolds; Laurie Halse Anderson; Emily Carroll; Tochi Onyebuchi; Reynolds; Renee Watson; Anderson; Reynolds

 

Festival of Books 2013 – What Struck Me Part 1

 

Photo by Carolyn Kraft

Photo by Carolyn Kraft

The Los Angeles Times Festival of Books is always a great time, and this past weekend’s event did not disappoint. And how could it, really, with two full days on the beautiful USC campus where books and authors reigned supreme?

If you were there I’d love to hear about your experience. In the meantime, here’s a sampling of what struck me from Day 1’s author panels and, in a few instances, my own casual eavesdropping on some unsuspecting festival-goers:

“The music of the writing has to marry the story being told.”

“It’s a fun challenge to describe something from another art form.”

“Hell yes it’s an antiwar novel!”

“There’s a reason why 19-year olds are crazy. Whipsawed between raging hormones and the most profound existential questions in life.”

“My process is creative floundering. With this kind of work we have to create our own problems. That’s why writers are crazy.”

“I went nuclear on my publisher not to have a headless woman on the cover.”

“You shouldn’t be taken less seriously as writer because of your gender.”

“Endings are hard. There’s a significant amount of psychological pressure when you don’t know how the novel is going to end. But it’s also thrilling.”

“Flannery O’Connor said that she liked a story that was like a sandwich she eats on a Thursday and makes her sick on a Saturday. It’s got to stay with you.”

“There is no time in the psychological.”

“When you’re looking for feedback on something you need a reader who will accept the story on its own terms, who won’t try to impose on it their idea of what a story should be.”

“Stuff: In the end it doesn’t mean anything.”

“The only you fail to make something better is by not trying.”

“We can’t help but remake ourselves constantly. Have to really work at being stuck.”

“Fortune-telling: Sometimes we want to invest someone with the authority to tell us what we already know.”

“You never know what in your life you’re going to use in a book.”

“Characters who are omnipotent ruin the hell out of your plot.”

“I like to be the writer, the reader, and the character simultaneously.”

“Isabel Allende said writing is lonely; it’s the response that reconnects you to the world.”

“You can visit a country by reading its folktales.”

“Why did they give the new Star Wars movie to J.J. Abrams? I know exactly what that movie is going to be, I don’t need to see it. They should have given it to someone like Eli Roth to direct.”

“The idea that terrifies you the most, that’s the story to write.”

“Writing is not a choice. It’s like I have no choice but to write.”

“Michael Bay is actually our greatest independent director.”

“A writer has to be willing to torture his characters.”

“A story is like a piano: a finite number of keys but an infinite number of melodies.”

“Writer’s block is really just the critical voice overwhelming the creative voice.”

Those quoted above include: a group of gently snarky USC students; Janet Fitch; Ben Fountain; Lauren Groff; Elizabeth Berg; Amity Gaige; Nalo Hopkinson; Gennifer Albin; Mark Frost; Cornelia Funke; Lauren Oliver; Lissa Price; Veronica Roth; Victoria Schwab